• sara reads the feed

    A vertex in fourth dimensional space, little pet critters, bittersweet knowing

    I’m feeling very accomplished. I finished the Alpha of Fated for Firelizards, so you can read the whole book on itch now if you want.

    I’ve also gotten back into the rhythm of walking my French Bulldog every day. Little dogs like this are so fussy, and don’t necessarily *need* to be walked all the time. A couple times playing each day will wear him out, especially since he’s old. But it’s nice getting out with him again — for both us.

    Spring is my favorite season. I love checking in with all the blooming plants on these walks.

    His stamina is growing too, which is good for an old man with crappy hips. I should probably make a point of lengthening his walks a bit in order to make him stronger. He’s turning nine this year, and I would love to keep him as long as possible.

    ~

    Salman Rushdie’s book says that he dreamed of being stabbed on stage only two nights before the attack. (NPR) Although it’s not an unrealistic dream for someone like Rushdie to have, I take this as apocryphal evidence of my theory: big events in time ripple backwards. We are only capable of experiencing the fourth dimension as a point (like how a dot on a paper can’t experience a three dimensional object), but the rest of time is theoretically always there, hanging around us where we can’t see. Why wouldn’t we feel a hard joggle in advance? Lots of people have premonitory experiences like this.

    ~

    One of my favorite things about history is how, looking as far back as we are capable, humans have basically always been humans. See: a fox buried with a family that likely kept it as a pet 1500 years ago. (The Guardian) I’m sure the fox was a great and terrible roommate, but that doesn’t stop humans from pack bonding with everything. It’s sweet.

    ~

    The Marginalian shares a couple definitions from The Dictionary of Obscure Sorrows.

    My favorite off their list:

    ÉNOUEMENT
    n. the bittersweetness of having arrived here in the future, finally learning the answers to how things turned out but being unable to tell your past self.

    I have been thinking about this unnamed sorrow lately because I, like everyone, am perpetually working on growing up. It really is bittersweet to have answers that would have helped me years ago.

    ~

    A technician mounted his own art in a German art museum without permission. (The Guardian) He got in trouble, but can we just acknowledge how that’s the most arty artist move possible? Good for him. I hope he takes his punishment and keeps going.

    ~

    Lawyers, Guns, & Money: Faculty salaries in American higher ed have drastically declined since 1970. “[F]ull-time faculty salaries in 2021-22 were just 4% higher than they were in 1970-71. ”

    ~

    The Space Force is planning maneuvers…in space. (Ars Technica) 1) I still think “Space Force” as a name is terrible (I probably wouldn’t like any name), and 2) asking in the most idealistic way possible, could we just not? Of course humans have to drag military crap outside our exosphere (apparently this is simulating fake war, according to Gizmodo via Quartz). But could we not, somehow, possibly?

    ~

    Adobe is offering payment for videos contributed to data sets. (Quartz) My personal baseline ideal for usage of AI in creative industries demands consent, compensation, and credit, and this covers 2/3 of that. Of course, this doesn’t address the massive ecological impacts of AI usage, or the way industries are using it to destroy artist jobs.

    ~

    If sleeping more flushes more junk out of the brain, I must have the most junkless brain on the planet. (Ars Technica) I’m basically a cat.

    Apparently Americans don’t sleep enough though. (Quartz)

    ~

    Brussels couldn’t handle the gay feminism of Love Lies Bleeding. (Variety) Homophobes were using violent heckles against the film, like during a rape scene, and then turned on queer audience members.

    The first walkouts began at around the 20-minute mark, while others from the queer community stayed in to push back against the audience commentary. Both parties confirm that some altercations turned from verbal to physical as tempers flared — though the question of instigation leads to predictably contrasting responses. Still, both would agree that the rise in hostility gave way to a similar rise in invective, leading to barbs with a hateful bite.

    “Once we stood up, we started hearing insults directed at us,” says an attendee who goes by Næ Palm. “It became something much nastier. Violent. We were overwhelmed, crying and we said to each other that this wasn’t normal.”

    Such heated language fueled a growing exodus – eventually seeing somewhere between 60 and 80 attendees regrouping in the cinema lobby. There, the young viewers began to push back en masse.

    ~

    Cannabis delivery workers in California are threatening a strike. (The Guardian) I hope they get everything they need!

    ~

    If you’ve got a gun in your household, the likeliest death to occur is death by suicide. (NPR) Self-injurious behavior with guns are statistically the highest source of gun-related deaths.

    ~

    Kathleen Newman-Bremang, a Black American writer, shares her experience with miscarriage on Refinery29.

    It’s hard to put the trauma of a miscarriage into words. It’s hard to explain the physical and emotional toll that losing a wanted pregnancy takes on your body and mind. One thing I can articulate is the rage I felt any time someone said, in an attempt to be comforting, “You know, it’s really common.” Grandparents dying is common. Cancer is common. Tragedy is common. And yet, people understand the social taboo it would be to respond to any of the above with a statement of the commonality of their grief. And the fact that miscarriages are more common for Black women isn’t comforting, it’s terrifying. It’s emblematic of larger societal issues — including a lack of adequate medical research — that Black people are disproportionately faced with this devastating situation.

    ~

    Panty hose is having a moment again. (Vanity Fair) I actually was expecting it to come back around, even though I only remember it being loathed in the early 90s. This isn’t how I expected it to be used, though — in cool high fashion ways. I’ve been expecting it to return because so many women feel pressure to be Instagram-ready, and pantyhose is the fastest way to sorta “airbrush” the texture out of legs that dare to have human features like veins, freckles, and scars.

    ~

    Donald Glover announced that he’s planning his last albums under the name Childish Gambino. (Variety)

    ~

    Canada has rightly ceded the titles for some 200 islands around British Columbia to the Haida Nation. (The Guardian)

  • A vividly red desert rose flower
    sara reads the feed

    Origin of Origin of the Species, blood and disease, and 20-somethingness in history

    I always find it fascinating how few (no?) ideas are truly original. We’re always building on some bits of knowledge some other human had somewhere else, at some other time, whether or not we’re aware of their distant contributions. Charles Darwin’s Theory of Evolution was preceded by this French dude’s similar theses a century earlier. (The Guardian)

    In later editions of The Origin of Species, Darwin acknowledged Georges-Louis Leclerc, Comte de Buffon, as one of the “few” people who had understood that species change and evolve, before Darwin himself.

    Thing is, I bet that humans knew this here and there for quite a while. Any communities involved in multigenerational animal husbandry probably had a pretty good idea of how evolution would later be regarded. It just wasn’t organized or proven in a way that the later scientific community could recognize.

    This just reminds me of a tangential story: When I was in high school, my biology teacher was *very* insistent on reminding us that evolution is only a THEORY and that theories can never become facts. (I grew up in a very religious white people town, but I truly didn’t understand how weird these sorts of interactions were until I reached adulthood.)

    Scientific fact is directly observable, he said. If you drop a ball, it will fall to the ground. We observe gravity directly. The actions of gravity are a fact, and gravity as the cause remains a theory, or something like that. We really can observe evolution occurring on a small scale — like fruit flies, with their short generations — but his point was 1) flies aren’t greater animals (meaning humans are special, according to his religion), and 2) even observing the changes doesn’t mean that evolution is the cause. For all we know, it’s God.

    I do appreciate the perspective I got from that time. I was really exposed to a lot of…stuff…that has not held up through my adulthood, but I value knowing how different people think.

    ~

    Here’s a YouTube video of newborn baby pygmy slow lorises, widely* acknowledged as the cutest animal on the planet. Smithsonian’s National Zoo and Conservation Biology Institute is lucky enough to be tending these sweet nuggets.

    (*In my house.)

    ~

    In the past, my life was saved by blood donations. It didn’t occur to me that there are “blood deserts” (like food deserts) where supply is unavailable. Drone delivery and autotransfusion are options, but don’t completely close the gaps in demand. (NPR)

    ~

    Speaking of blood…

    Hemolymph, aka insect blood, clots very quickly. (Ars Technica) Turns out it basically congeals and gets sucked back into the body to clog the hole. That’s so cool.

    ~

    People rag on Madonna — mostly for aesthetic reasons — but she’s a beloved member of the queer community. She honored victims of the Pulse nightclub shooting at a recent concert. (Variety)

    ~

    Bird flu is showing up in dairies in more American states. (NPR) Time to switch to ultra-pasteurized.

    Also, NPR reports on a spike in measles.

    ~

    Engadget talks about flying drones developed to attach themselves to existing power lines in order to recharge. Although I don’t know enough about the subject to say if it’s a good idea or not, it does seem clever to arrange a way for them to use existing infrastructure. An alternative mentioned is placing charging pads around cities. Current flight time is limited to forty-five minutes or so, which makes me think we’d need a lot of pads. But we already have power lines all over.

    ~

    There’s Oscar buzz around Zendaya’s Challengers. (Variety) The cast has been looking tired on the PR circuit, but if they hope to land major noms, they’re going to have to keep at this a while. The Academy has a short memory. And you only win by campaigning. I hope they’re ready.

    ~

    We’re getting a fourth Bridget Jones movie. (Vanity Fair) Given the book it’s based on, I’m not surprised Colin Firth hasn’t been cast. I’m not actually opposed to another movie in the series — I’m so easy to please, I loved the third one too — but I don’t really want anything to do with the plot at hand so I might not see it.

    ~

    The Film Stage: Don Hertzfeldt and Ari Aster Collaborating on a “Big” Existential Horror Animation

    Can’t wait to see anuses bleeding on the big screen!

    ~

    Did you know many Renaissance portraits were multi-sided? (Smithsonian Magazine) I didn’t. These are actually a whole lot more interesting to me with the additional painting as context, as ambiguous as the context may seem out of its time.

    ~

    Jonathon Majors has to do court-ordered domestic violence therapy rather than jail time. (Variety) My initial reaction was vengefully negative, but I sat with that a minute and realized…this is probably the most constructive sentencing. DV-specific therapy could actually change his behavior profoundly. And I am broadly anti-prison, but that means I need to also apply that philosophy to things that specifically revolt me, like DV. So yeah, this sounds right.

    ~

    Quartz talks about “automation innovations” that were actually humans in disguise — what we call Mechanical Turks.

    The Mechanical Turk refers to a fraudulent chess-playing machine from the year 1770. It appeared to be an automated machine that could play a competitive chess match against any human. The machine was touted around the world for decades, amazing crowds as the first-ever automaton. However, it was later revealed to be an elaborate hoax, where a master chess player was hiding inside the machine.

    Even if the current AI movement isn’t operated by such Mechanical Turks, we do know that a lot of low-paid labor was employed in labeling data for use by algorithms, so there is some element of that at hand. I wouldn’t be surprised to learn there’s more human labor involved than we realize.

    ~

    We’ve found more frescoes in Pompeii! (WaPo)

    The paintings recently discovered included references to figures from the legendary Trojan War between the early Greeks and the people of Troy in Western Anatolia around the 12th or 13th century B.C., which is featured in ancient Greek works such as the Iliad and Homer’s Odyssey, as well as Roman literature.

    The recently discovered artworks include a depiction of the Greek legendary figures Helen of Troy and Paris, the son of the Trojan king who is identified in an inscription by his Greek name, Alexandros. The images also show Cassandra, a figure from Greek mythology who could predict the future, and the god Apollo, who cursed her and left her unable to prevent the capture of Troy.

    ~

    Smithsonian Mag shared letters from a twenty-something in 18th century London, giving us a lil glimpse of his life.

    In his handwritten letters, Browne described his new job training as a clerk to a lawyer, Richard Rowlandson. He complained about working long hours, copying legal documents from 8 a.m. to 8 p.m. In one letter, he expressed frustration with his father’s decision to apprentice him to his employer for five years, rather than a shorter training period. “I have Lost the prime of my Youth,” he wrote.

    Often, he asked his family for help, and “his concerns were not so different from those of today’s young people,” writes the Guardian’s Harriet Sherwood. “Mainly: Please send money, everything is so expensive.”

    Browne wrote that he needed money to pay rent—and to purchase stockings, breeches, wigs and other items he deemed necessary for his life in London. “Cloaths which [I] have now are but mean in Comparison [with] what they wear here,” he wrote in one letter.

  • a b&w sketch of Audrey from Little Shop of Horrors viewed from the shoulders up
    movie reviews

    Movie Review: Little Shop of Horrors (Director’s Cut) – 1986 ****

    In Little Shop of Horrors, a very poor man discovers he can have all the success in the world if only he murders people to feed a talking plant their blood. Did someone say “capitalism will eat you alive”? Alan Menken did!

    I grew up watching the Theatrical Cut of Little Shop of Horrors. It was one of my favorite movies on tape as a kid! I watched it so much, I think I wore out the VHS. Like, it would get all fuzzy and weird when I watched the parts I kept rewinding and revisiting. I’m still not sure why I loved it so much as a child, but there is something deeply endearing about the giant murderous plant, and putting the plant-puppet to music was my catnip.

    This means I had only seen the version with the happy ending. It’s not the version the director wanted, but test audiences *loathed* his original ending, and the movie wasn’t going to get released unless they scrubbed it. So in the Theatrical Cut, Seymour electrocutes Audrey II. He escapes to the suburbs with Audrey I. You get a glimpse of little Audrey II flowers at the end, but it feels like more of a cute wink-nudge than a threat of more plant murder.

    Even in this version, Little Shop of Horrors is an outstanding movie. The songs, performances, and set are wonderful. As an adult, I’m just as obsessed with the many puppets that portray Audrey II. Apparently it took sixty people to operate the big version, and you get the most amazing sense of majesty from it. Steve Martin vs Bill Murray is like “When Sado met Masochist” — a real romcom.

    With the Theatrical Cut, it remains a tale of deep poverty and the lie of the American Dream. Seymour begins with small, painful sacrifices to earn his commercial success — bleeding himself into the mouth of the plant — and then moves onto acceptable horror by feeding Audrey’s abusive boyfriend to the plant. But the plant is never satiated. It never stops growing. It always remains hungry. Letting the heroes escape alive isn’t necessarily unrealistic, but it’s such a softball.

    The Director’s Cut is truer to the theme. Audrey II lures Audrey I to the shop, fatally wounds her, and devours her body. Then it humiliates and devours Seymour despite his best attempts to kill it. I had heard that these things happened in the Director’s Cut. It was still shocking enough to watch for the first time — like I said, I’ve seen this at least twenty times, and the ending was happy! What a divine sensation, watching a new version of a movie I know so well.

    The plant goes on to eat the whole country. Probably the whole planet. You get a lot of amazing shots of giant Audrey II plants terrorizing New York City — think people running away from Godzilla screaming. The Greek chorus emphasizes that we got here because everyone was greedy for power and willing to feed their plants blood. And in the end, we see one of the plants clutching the Statue of Liberty, cackling because bazookas do nothing to kill it.

    I completely understand why everyone hated that ending. It was *dark*. But oh my God, I’m obsessed. It was hilarious for one. They played it up like a 50s monster movie, so it’s not exactly scary by modern standards. Watching the many ways the plant destroys things and eats people is a joy, especially because they laugh through the whole thing. The evil puppets are so great! I’m just so happy for them!

    And at this point, it’s pretty obvious that capitalism really does work like that. It really will just eat everybody. It’s so blunt, without a whit of subtlety. But does anyone go see a horror comedy satire musical hoping for subtlety? Or do you go because you wanna see giant alien plants murdering the planet?

    Personally, I think this version is so much better, and I’m delighted they remastered/completed the Director’s Cut for release. It takes the movie from “haha I loved that” to “OMG AMAZING.” I was downright giddy watching it. Let’s say that the Theatrical Cut is 5/5, but Director’s Cut is 11/10.

  • Rutger Hauer and Matthew Broderick riding a horse in Ladyhawke. image credit: Warner Bros
    movie reviews

    Movie Review: LADYHAWKE (1985) *****

    Everyone wanted to possess Isabeau d’Angou, daughter of the Comte. Her unearthly beauty captured the hearts of everyone who saw her, whether man or priest, and the Bishop of Aquila became obsessed with her. Yet the one man Isabeau wanted herself was Etienne Navarre, the handsome captain of the guard in Aquila. Isabeau and Etienne could have known such happiness if not for the bitter rage of the Bishop, who called upon the power of the Devil himself to curse the lovers: if the Bishop could not possess this woman, then nobody could, and damned be his immortal soul.

    Once the curse befell them, Isabeau became a hawk by day, while Etienne became a ferocious black wolf by night. The two could always be together. But never as humans. Never at the same time. Navarre was truly forced to possess Isabeau as a man possesses a hawk, carrying her on his gloved arm with her face blindfolded and her legs in jesses. It’s easy to imagine they began their journey together with hope of finding salvation, but hope waned as it became obvious the Bishop of Aquila was untouchable.

    And then came Mouse — Phillippe Gaston — a young thief who distinguishes himself as the only criminal to ever escape the dungeons of Aquila.

    And also came some incredibly rad synth music.

    And a convenient total solar eclipse.

    The 1980s were a great time for fantasy movies. I could spend a long time listing them, but I’ll stick to my personal favorites: Legend, starring Tom “Babylegs” Cruise, and Labyrinth, starring David Bowie’s package. We also got The Princess Bride (flawless), The Neverending Story (traumatic), The Last Unicorn (divine), and so many more.

    Amid its stylized brethren, LADYHAWKE stands out as a fairly grounded medieval fantasy story. You don’t get colorful puppets. There’s no amazing soliloquies from Tim Curry about unicorns. Instead of sets, they filmed in a couple of old castles and a lot of sweeping fields. The costumes, while anachronistic, are kept simple, focusing the visuals entirely on the performances of actors who aren’t exactly chewing scenery.

    In fact, if the soundtrack weren’t completely out of place, I think Ladyhawke would be broadly better regarded. I love the synth score, personally. But you can’t tell me it wouldn’t age better for the general public if they’d stuck to something classically orchestral.

    The real highlight of Ladyhawke, for me, is how deeply romantic it is. Watching Navarre clutch Isabeau’s dress as night falls, savoring the scent of a woman he hasn’t seen in two years, is just as heartbreaking as his anguish when he watches the hawk struck by an arrow. He must always put Isabeau’s needs before his own, even if that means surrendering his wounded lover to another man so that he can carry her to be healed.

    Of course, ACAB means Navarre. He’s a former guard (let’s say medieval cops), and in a previous life, he would have been one of the hairy dudes hunting down poor little Mouse. His family history involves the Crusades. Yikes. But Navarre got his butt kicked by the Church, so he’s semi-reformed.

    This reformation is shown with a stark palette: Navarre dresses in voluminous black capes while wielding his crucifix-like sword on the back of a black horse (named Goliath!). Meanwhile, agents of the Church are dressed largely in white, riding white horses. The Bishop of Aquila is pictured in lavish white gowns, entertained by sultry young women, while lamenting the poor commoners can’t be taxed when they have nothing. When Navarre arrives at the climax to fight against the Church, he has become the Hand of God, and it’s a stark contrast to the villains he fights.

    There is no cooler aesthetic than Navarre with his huge-ass crossbow and sword mounted on his muscular destrier, hawk clutching his glove. None. I mean, this is the goddamn Bladerunner, and he’s a freakin knight. It’s so cool I’m in pain.

    Isabeau looks pretty great in Navarre’s cloak, though. She’s dressed more neutrally in grays. Her hair is cut short and appropriately feathered, giving her the look of a noble daughter on the lam. I’ve spent my entire life thinking Michelle Pfeiffer is the most beautiful woman on the planet, and her performance as Isabeau is the main reason why.

    Philippe “The Twink” Gaston is adorably portrayed by Matthew Broderick at peak fame. It’s sorta like having an especially mousy Ferris Bueller running around medieval France, except he totally lacks the raw charisma…or the brain cells.

    Mouse is actually kind of the main character, serving multiple narrative functions. His humble origin as a scrappy little thief who knows nothing about the curse makes him a good viewer avatar. But his main relationship is with God, meaning he also offers stark contrast to the Bishop of Aquila, just not with colors. (Appropriately, Mouse wears brown.) Mouse is way too foolish to survive everything he survives.

    But he is devoted to God, and God clearly likes the kid. God’s probably the one who tosses Mouse in front of Navarre. It’s Mouse who most earnestly seeks God’s approval — not the Bishop who sold his soul, and not even the priest Imperius, who’s constantly drunk and lazing around. And so it’s Mouse who is most truly blessed.

    It’s so mythic, having the good-hearted lil thief be the holy one who needs to light a path for Navarre and Isabeau’s salvation. He bears Navarre’s sword until it’s time to skewer the Bishop of Aquila in the most majestic of fashions. And by lying his butt off to Navarre and Isabeau separately, he keeps their spirits high enough to fight through the end of the curse.

    I really couldn’t offer any genuine criticism for this movie. Is it a little too grounded? Maybe a little slow? Maybe some of the characters’ actions are a wee bit nonsensical at times? I have no idea. I’ve watched this movie a couple times a year for my entire life, no joke, and I think I’ve spent my entire life trying to write something as grandly mythic and shatteringly romantic as this.

    Ladyhawke was made by a skilled filmmaker whose effects never get real special, which is smart, given the budgetary and technological limitations of the time. The simple framing, grading, and lighting makes it feel vividly real, as anachronistic as the choices are. It’s not nearly as much of a kids’ movie (or even a family movie) as its contemporaries in 80s fantasy films.

    If you haven’t revisited this one in a while, I urge you to go back. I think it must not be very popular because I haven’t seen a remastered version. The copy I got off Amazon is janky. Let’s not let Ladyhawke fade into memory, though. This one is worth keeping around.

    (image credit: Warner Bros.)

  • Gillian Anderson sitting behind a news desk. Image credit: Netflix
    movie reviews

    Movie Review: Scoop (2024) ***

    SCOOP is a lightweight drama about a famous TV interview with Prince Andrew, where he ate his whole entire foot talking about his relationship with trafficker Jeffrey Epstein, as well as allegations of abuse.

    My immediate impression of the movie was, “Why did they make that?” There isn’t a lot of incisive material behind the scenes. It focuses on the women who made the interview happen, but only dips a toe into their ambitions, regrets, and the class differences between them. Some time is taken to flesh them out as individuals, but not in any particularly meaty way.

    Little drama actually occurs in the setup for the interview. Basically, the news team asks if they can interview him, and Andrew happily accepts. A little time is dedicated to Andrew’s staff fussing about it, but it never grows claws.

    The interview itself is loyally performed — but you can just go watch the Andrew interview yourself, if you don’t yet know the prince’s role in the nightmarish sex trafficking that women endured through Epstein and Maxwell.

    I suppose the main argument for making such an unembellished version of the interview is that it puts the interview in the news again. And, as the journalists discovered (both in reality and the movie), they just needed to let Andrew speak for himself. He’s his own worst enemy. Yet SCOOP was reluctant to go any deeper than that.

    I do get a sense, somewhat, that the filmmakers mostly wanted to show off how well they could transform Rufus Sewell into Prince Andrew — an extremely angular, handsome actor becoming a soft-faced royal he doesn’t ordinarily resemble.

    Or perhaps they just wanted to get Billie Piper and Gillian Anderson working together, which is a victory for the lesbians.

    The whole thing feel like an ephemeral, fashionable snippet of journalism history. It’s appropriate enough to show in school or watch with your mum. It doesn’t do anything that might risk legal action. It might barely even offend the British royal family, who don’t seem embarrassed enough to tuck Prince Andrew away; he continues to make appearances with the family to this day.

    If the intention is to remind us all that Prince Andrew is a predator and buffoon, then it succeeds, and it does it with competent filmmaking. At least the journalism students who have to watch this down the road won’t be bored.

    You can watch the original interview with Prince Andrew on BBC Newsnight’s YouTube Channel.

    Scoop is streaming on Netflix.

    (image credit: Netflix)

  • sara reads the feed

    Holes, taxation and the taxers, the anarchist history of Frank Herbert

    I’ve been stretching my earlobe piercings back out. I was up to 0 gauge, but I was annoyed by the jewelry and removed it for a few years. At that point I assumed they would shrink somewhat. I found some old 6g plugs that still fit loosely, so I got some 4g tunnels. Those also fit. They kept falling out in bed, though — so I ordered 2g tunnels. And you know what? They fit! It seems my earlobes relaxed around them again. I might be able to get back to 0g without seeing a piercer and progress my way up to 00g. Onward, if I like.

    0g is about the diameter of a pencil, which is a fun size. But I’m getting older which means I need to get weirder, and bigger holes in my body is cool. I’ve got three holes in my nose now, and three holes elsewhere on my body, and I’m trying to decide what’s next.

    ~

    I’ve been dying to see Monkey Man since its first trailer (the unedited one with the great takedowns), but I want to see it even more learning that hijra are key to the movie. (Variety) Dev Patel says it’s a story for the marginalized, and thus must include hijra, who are an underclass of third-gender people in India (to oversimplify it).

    ~

    The actress who portrayed The Unknown at the Glasgow Willy Wonka scam experience is getting more jobs, which is good. (Vanity Fair) One dude was behind the scammy bits; the employees were doing their best.

    I think there’s a good chance The Unknown becomes an enduring cultural character. Imagine being the sixteen-year-old who originated that…thing.

    ~

    Egypt invented taxation as we know it. (Smithsonian Mag) I actually just learned somewhat about Egyptian taxation from reading Understanding Comics by Scott McCloud with my 9yo. The mural he uses to describe sequential story told in art involves taxation of crops, anyway, and I don’t often think about taxation as a direct levy on assets rather than simply taking a percentage of currency.

    The Smithsonian article goes into the whole thing in fascinating detail.

    For most of its history, ancient Egypt levied taxes on goods, with officials collecting dues in the form of grain, textiles, labor, cattle and other commodities. The amount of taxes owed was often linked to agriculture, with a certain percentage of a field’s harvest earmarked for state-run granaries or administrative storage centers. Interestingly, taxes were adjusted for field productivity—a parallel to modern income tax brackets, with different categories established based on the amount of wealth incurred.

    “Fields were taxed in different ways, and the rate was dependent on the individual field productivity and the fertility and quality of the soil,” says Moreno Garcia. “But the government was determining the base tax rate dependent on the height of the Nile.”

    On Elephantine, an island in Upper Egypt, 19th-century archaeologists discovered a nilometer, a sprawling staircase used to measure the Nile’s flood levels. (Remnants of other nilometers can be found in the ancient city of Thmuis, on Rhoda Island and elsewhere in Egypt.) If the water rose above a marked line, it signaled flooded fields and a poor harvest; if it fell too low, that meant a drought and dying crops.

    ~

    The movie adaptation of Nightbitch is coming out in December. (Variety) I am eager to see Amy Adams going hog on raw steak and pooping on a neighbor’s lawn. Once it’s streaming, of course. Monkey Man might get me out of the house to the theater, but very few movies call to me that way anymore.

    ~

    The McDonald’s locations operated in Israel were donating food to the IDF. Apparently McDonald’s corporate didn’t like having such actions reflect on them when they weren’t the ones making the decisions (those locations are owned by a franchisee), so they’ve bought back all those McDonald’s. (NPR)

    ~

    The Apple Vision Pro is now compatible with some 8BitDo controllers, and I still don’t have one. :’) (Engadget)

    ~

    Denis Villeneuve is going ahead with Dune Messiah after all. (TSFKA Tor dot com) I feel lukewarm about it. Dune is kinda too interesting for Villeneuve? But I doubt they’d reach Messiah if it were done by someone who embraced its weirdness more viscerally.

    As The Transmetropolitan Review notes:

    Frank Herbert, the author of Dune, lived the happiest parts of his childhood in a failed socialist colony called Burley, located along the Salish Sea near the city of Tacoma, Washington. It was dreary and cold during the fall and winter, and back in the day, before Herbert was born, all the excitement was further down the sea in the anarchist Home Colony, a much more successful experiment in collective living. While the socialists of Burley struggled to replicate their small colony, Home grew bigger every year, even converting some of Burley’s socialists into anarchist defectors. […]

    Make no mistake, Home housed some committed, dedicated, and fervent anarchists, and some of them weren’t just homesteaders like Frank Herbert’s family, they were anarchist homesteader militants who smuggled dynamite, fomented uprisings in the coal fields of Vancouver Island, sheltered fugitives, shot at private detectives during strikes, and called for the death of capitalism. Beyond this, these anarchists were directly implicated in the 1910 bombing of the ultra-reactionary and anti-labor Los Angeles Times building, given they helped hide the man who supplied the dynamite, the anarchist David Caplan.

    Read the whole thing please, it’s a good one. Dune’s foundation comes from something strongly counter-cultural, opposed to empire in a real way that most people can’t relate to. Herbert was a deeply imperfect man. But it’s basically impossible to make a blockbuster — with the financing involved — that will be honest to its messaging.

    In the end, Frank Herbert’s Dune and Dune Messiah serve up some of the oldest anarchist propaganda, not only by commenting on the corrupting influence of centralized power, but by spending nearly 1,000 pages to reaffirm one of anarchism’s oldest slogans: no one is fit to rule, and no one deserves to be a slave.

    ~

    Dammit, George Santos just keeps making me laugh. (Vanity Fair)

    Given that LaLota was one of Santos’s biggest GOP critics, most people assumed the decision to try to unseat a former colleague had to do with revenge. But according to Santos, that assumption could not be further from the truth. The real reason he’s running for the First? Because it would put him in the suburbs, where he could realize an apparently longtime wish to own chickens.

    This dude belongs on a satire show like Veep, not in reality.

    ~

    From Gizmodo via Quartz: NASA’s Voyager 1 probe has been glitching for months and we finally know why

    NASA engineers pinpointed the cause behind the mission’s odd anomaly, and think they can help the interstellar probe make sense again.

    Engineers at NASA’s Jet Propulsion Laboratory believe the Voyager 1 spacecraft has been sending nonsensical data due to corrupted memory hardware in the spacecraft’s flight data system (FDS).

    The engineers are hoping to resolve the issue by finding a way for FDS to operate normally without the corrupted memory hardware, enabling Voyager 1 to begin transmitting data about the cosmos and continue its journey through deep space.

  • sara reads the feed

    Zzz, don’t criticize AI, and moonwalking

    What must I do to stop being so sleepy? I got blood work done recently and I seem to be fine. I’m just SO sleepy. All I wanna do is sleep.

    ~

    I’ve wondered what topic Apple didn’t want Jon Stewart to discuss on his show. Turns out it was AI. (Variety) Here’s the Ars Technica version of the article, and here’s the Gizmodo version. Everyone’s talking about Jon Stewart talking about AI now!

    He is anti-AI, and I recall Apple said they’re pivoting to AI development since quitting the Apple Car. We’ll see how that goes. I use a lot of Apple products, but I’ve been thinking about going full Luddite. Depending on their execution of AI, it could be what cuts me loose.

    ~

    Psyche talks about the near-universal experience of seeing our loved ones after they die. I experienced this strongly after the death of my cat Poe, though I haven’t seen Annie. I grew up with my mom talking about visitations from family after their death. I find it a little disappointing how scientifically/rationally/reductively Psyche (and most other sources) talk about this phenomenon, since I think humans are irrational spiritual beings, and this is a pretty solid example of seeing ghosts.

    ~

    NASA is looking for a company to design, build, and deliver a rover to the Moon that can be operated by astronauts under the extreme conditions present. (Ars Technica) I kinda want humans to leave the Moon alone tbh, but this is cool as heck anyway. I feel so conflicted as a SFF nerd who is also a curmudgeon.

    Our beloved NASA is also working on developing a Lunar Standard Time (The Guardian), and my whole household is transitioning to this once it’s set. 😉

    ~

    This NPR article about safer table saws is interesting to me, vaguely. Every time I’ve seen discussions on Reddit about these safety measures, I’ve also seen swarms of comments about how SawStop-like safeties are undesirable and make things *less* safe. So I’m just wondering…is that true? Is it popular sentiment among woodworkers? Or is this one of those weird things that has been a special interest for marketers/bots on Reddit?

    ~

    The Guardian: Everyone in Japan will be called Sato by 2531 unless marriage law changed, says professor

    I hardly think anyone needs to be concerned about married names in the 26th century (what do you think was the most common surname in the 16th century? did they use now-common surnames like we do?) but I still got a lil chuckle out of this article. Imagine Japan is like Barbieland. “Hello, Mr Sato! Hello, Mrs Sato!” everywhere you go.

    ~

    Amazon dropped its “just walk out” no-cashier technology (Engadget) because, surprise surprise, it was reliant on Mechanical Turks and thus not cost effective. I wonder how many Mechanical Turks are involved in the whole AI movement.

    ~

    Oklahoma really wants people to just get over the fact they’re killing imprisoned people so they can do it faster. (The Guardian)

    ~

    Homebuying is only for families with six-figure incomes these days, I guess. (NPR) I bought my first house in 2010 for $120k, and my income was around $40k a year…maybe a tidge less. It sucks to think how quickly young people like my young self have been shut out. Something’s gotta give.

    ~

    A clinical trial is attempting to grow new human livers out of lymph nodes. (Ars Technica) Even modest liver function (the article says 10-20%) could make a huge difference for people with liver disease.

    We get closer to a Star Trek future all the time. Doctor gave me a pill and I grew a new kidney! indeed.

    In the meantime, a dude in the USA received a pig kidney transplant and has gone home. (The Guardian) I really hope this works well for him.

    ~

    Lawyers, Guns, & Money talks the excess deaths toll related to COVID.