• Diaries

    Chad the uterus

    I was assigned female at birth. One of the side effects of that in my particular situation is that I was raised not to listen to my body or my needs. I’ve been doing meditation and mindfulness practices in an attempt to learn more about myself, and I’m picking up on some interesting things.

    For instance: on December 12th, at 5:30 am, I realized my uterus uses he pronouns.

    I didn’t know uteruses—uteri?—could be cis men, but mine is. I keep thinking of him as “Chad”, even though that’s the name of the guy who screams in my brain about how worthless I am when my depression kicks up. Whatever, my uterus can borrow Chad for now.

    Chad the uterus kicked me low with cramps last night. I took a bunch of painkillers to get him to shut up, and he quieted down enough to let my as-yet-unnamed stomach slide into my DMs in an attempt to get the bacon it knew was in the fridge. My stomach doesn’t seem to have gender or pronoun preferences, but if it was a cis male, it would 100 percent send me unsolicited dick pics.

    But Chad, on the other hand, is a cis male feminist. He’s the kind of guy who says crap like “women are people too” and “equal pay” so you’ll have sex with him while you’re ovulating and too frisky to think better about it. And then, a couple weeks later, he punches you in the gut for a couple days straight and laughs while you accidentally bleed on your bedsheets.

    The metaphor breaks down a little at the end there, but you get it.

    By the way, Chad the uterus is also the ovaries. Maybe Chad the uterus is especially the ovaries. I’m not one of the ovary-havers that feels pain during ovulation—some people feel it when the egg moves around in there, which is yet another joy in the joys that is the menstrual cycle—but I do spend a week with the sex drive that remains after my antidepressants try to crush it into dust, and I spend nearly two full weeks with increased depression and general upset (one the week before and one the week of my period).

    How much can Chad the uterus mansplain to me about my emotions? Enough that I wish I could have noise-cancelling headphones for my brain.

    …oh my god Chad the rambling voice is Chad the uterus.

    Cue the X-Files theme music.

    It is currently 5:52 am on December 12th, and the painkillers I took shut Chad up for now. I’m going back to sleep until Chad starts blaring Hotline Bling on his giant set of speakers again.

  • Diaries,  resembles nonfiction

    Things I didn’t tweet around Election Day 2018

    November 4th, 2018

    Hey, I actually deleted Tweetbot off my phone! I’ve never done that before!

    oh god I actually deleted Tweetbot off my phone what am I going to mindlessly click now

    menstrual cw // I’m spotting between periods! I’ve only ever done this once before: October 2016. I wonder what the pattern is?

    …Oh. Ohhhhhh.

    What do people who don’t use Twitter do with their days? Sleep more? (Actually, it is bedtime. Heh.)


    November 5th, 2018

    I’m drunk with power. I just deleted a bunch of the apps I don’t use off my phone. If I can take my connection to Twitter away from myself, what can’t I do? FEAR ME, APP DEVELOPERS

    If it wasn’t for Instagram, I probably would have reinstalled Tweetbot already. Come to me, beautiful bullet journal creators and bookstagrams.

    vomit cw // Nibling is home sick today. It’s not terrible timing, as such things go; he has tomorrow off because his school is a polling location, so two days off for the price of one. Hope this doesn’t mean I’ll be barfing in the next couple days.

    I’m going back to sleep.

    Oh crap, I slept until 2 pm. And I still feel like death.

    Walked Ichabod the miniature Schnauzer. He was kind enough to poop on our walk, and as I bent to pick it up, a van driving by honked at me. Nothing like a good bit of street harassment to round out your day.

    Bee Swarm Simulator, you’re my only friend.

    I take that back. Crackers are also my friend.

    And cheeseburgers.

    Posted my first Egregious essay. Maybe I should have waited to do that until I wasn’t taking a Twitter sabbatical?

    I want to write three-thousand words today for #nano. This does not count the five-hundred words written this morning when I was barely awake. It’s almost six pm. No way this could go badly.

    Sunset was way too early. As much as I’d like to believe I’m a vampire, I’m not.

    Still haven’t started the 3k words for #nano.

    Okay okay I snuck onto Twitter and I vaguely regret it I’m sorry I know better

    Got the 3k done, and now I’m just…done for the day. What on earth am I supposed to do with all this free time, besides fret?


    November 6th, 2018

    Woke up from a dream where I was on Beto O’Rourke’s campaign bus and I was asking to go home. Must be Election Day.

    Went back to sleep and woke up from a dream where I had a really great girlfriend. Can I go to that reality?

    Today is a great day to rewatch To All The Boys I’ve Loved Before.

    .@smreine is playing Christmas songs on the Echo again. YES AFRICA KNOWS IT’S CHRISTMAS, MAYBE IF WHITE COLONIALISM HADN’T STOLEN EVERYTHING THEY WOULD HAVE FOOD

    Nibling is home! He wore a charming plaid shirt today and went to work with Bro-in-Law. He showed me the pen that he put in his shirt pocket. CHARMING.

    How is today the first day this season I’ve heard All I Want For Christmas is You?

    It feels like someone is stabbing me in the eye. In other news, I have a sinus headache.

    I put off my #nano writing until later, when election returns are coming in. The theory is that I’ll get into my NaNo and not constantly refresh the news.

    7:30 pm, and guess who’s written just a couple hundred #nano words. (At least I’m not refreshing the news.)

    It’s a little on the nose to develop a cough while watching Moulin Rouge.

    Finally wrote, and it’s time for bed. It’s excruciating not checking the news, but I’ll feel better if I don’t until most things are solid.

    I’m in bed, on my phone. I can’t stop playing app games, not because they’re app games, but because they’re what I have access to instead of Tweetbot.

    This is why I deleted Tweetbot.


    November 7th, 2018

    Moment of truth. I’m pulling up the local newspaper’s results page. Breathe.

    Wait. Really? This is…good news?

    Before I say this next bit, I want to be clear. I did very little this election. I made sure to vote, I filled out some “I’m voting because” postcards for the ACLU, and then I went into hardcore bunker mode for my mental health.

    Pretty much anyone who spent even an hour organizing or canvassing did more work than I did.

    Having said that.

    I TOLD YOU SO, @deanheller. I TOLD YOU I WOULD LOOK FORWARD TO SEEING YOUR LOSS THIS YEAR. YOU STABBED US IN THE BACK AND I GOT MY RETRIBUTION.

    I HOPE YOU FEEL EVEN A FRACTION OF THE LOSS AND PAIN I FELT IN 2017, WHEN I WAS CALLING YOU CONSTANTLY ABOUT THE AFFORDABLE CARE ACT. I HOPE YOU *KNOW*.

    Gosh, I’m looking forward to deleting my Google Alerts about him on New Year’s.

    Back to Tweetbot.

  • resembles nonfiction,  slice of life

    The art of the library hold

    I want a book.

    Okay, truthfully, I want many books. Anyone who Reads (capital R necessary) never wants just one. For this exercise, I’m going to pick one. Maybe I’ve had my eye on it since I saw its author talk about its release on Twitter. Maybe I watched a movie or television adaptation and I want to learn more about the source. Maybe there’s a TV show coming out and I want to reread the source. Maybe I was just skimming along and the summary grabbed me. The source is different, the intensity of the want may vary, but the yearning is always the same.

    I want a book, and I almost never have the means to buy it or borrow it immediately. Money for book buying doesn’t really exist. I live in the second-largest population center in the state, but its population is sparse and on the older, whiter side of things. I want queer literature. I want SFFH. I want authors of color. They want mysteries.

    If the book isn’t in the library, I put it in the requests area and hope for the best. I’m not terrible at requesting books the library is inclined to get, but there are still several covers that have been there for months and will probably be there for months more, if not longer. I will look at them and pine every now and then, but I try to keep my expectations realistic.

    When the book is in the library—more importantly for an agoraphobic person who can’t drive, when it’s in ebook form—that’s when the game begins.

    Sometimes, the book is only in audiobook form, or the ebook has a wait while the audiobook doesn’t. That’s when I really start to ask: how much do I want this book? I read fast when text is involved, in little pockets of my day. Short audiobooks are doable, if challenging. My day is text and children, and those are two spheres that don’t allow for leisurely listening when I need to pay close attention. Long audiobooks…all other hobbies and non-essential tasks have go by the wayside for the better part of a month.

    Often, when there is an ebook, there’s a wait. A week or two isn’t bad.

    A month, or more…


    My hometown was small enough that I didn’t realize libraries could have multiple branches in a single city when I was a kid. Said town was big enough that the one library it did have was large, considering, but a place like the New York Public Library would have blown my tiny child mind. As I grew older and visited branches in the larger city to the north, the idea was fuzzy, but it was there. You could live in a place, have a library close to you, and have other libraries in the same town if you wanted a change of pace.

    The state as a whole has an interlibrary loan system. This, again, was something I knew academically because of signs in the library. It was rare that I would search a book on the computer’s card catalog, find it was only in a tiny library most of a day’s drive away, and still want it. How many books were worth bothering people for? The wait wasn’t what bothered me—back in the days before Twitter and Netflix, my attention span was much better—but the idea of making librarians work harder to get a book to me. The one time I spilled milk on a library book, I was mortified and upset for weeks.

    Thanks to my mom, who still lives there, I know my hometown library system still doesn’t have an ebook system. The economics of such are complicated, and a smaller place probably can’t justify the cost or the headaches. I moved north with my sister, and my library possibilities expanded dramatically.

    But with more options came more hunger.


    I watched a lot of Anthony Bourdain’s Parts Unknown months after his death. Getting perspective on little-seen places around the world with a great narration and amazing-looking food…what’s not to love? People shortly after his death talked about his voice in particular, in conjunction with his writing, and I figured I would check out Kitchen Confidential and see how it worked for me.

    The library had Kitchen Confidential in its ebook circulation. It also had a newer book, with a shorter wait. I put both in my holds and went back to watching Netflix.

    Weeks passed. I started a reread of the Wheel of Time series, since my hold for Eye of the World came in. The 10-year anniversary of Twilight’s release happened—the movie, I believe—so I had my mom bring my copy to me. I was plotting a story for NaNoWriMo, my long-awaited hold for Sharp Objects came in…

    …and that was when the library gave me two Anthony Bourdain books to read, within a week of each other.

    I made some decent progress on the newer one. It wasn’t bad. Not super into the fat-shaming elements, but there were gems that rang the same bells for me that the show did. But the yearning had receded, and the second book checking out killed it altogether. I returned them both, unfinished.


    To put effective holds in the library, you need to know two things well: the library, and yourself. But “the library”, in this instance, isn’t a building or the people who staff it; it’s an app created by people who have never been to your physical library locations, and it’s the people who check out all the books.

    There is no way to know the library because you have to know each specific individual in line in front of you. What are their tastes? Their reading style, their speed? The max time to have a book is universal, and people can’t renew, but counting the people in front of you and counting the max possible time will do you no good. Sometimes, if the demand is high, the library will purchase more copies, the one time the staff really comes into play. Most times, people read faster or return things partially read or unread. I can receive a hold tomorrow, or I can receive it in three weeks.

    I do know myself, however, and I know three things: I am reasonably patient, and I am broke, but I am also very busy. If I get too much at once, I have to carve time in my day for the books. Feeling resentful that I can’t fit everything I do in my day kills the passion, the fire. I have a hard time getting past first chapters at the best of times.

    Believe it or not, though, this is improvement. It used to be I would get books, realize I wasn’t in the place to read them, and beat myself up for it. You have this opportunity now, and you’re wasting it. You’re a terrible reader, a terrible writer (for a writer reads constantly when they’re not writing, didn’t you know), and you’re letting your fellow writers down. You’re letting your library down. You’re letting yourself down.

    Now, it’s “ugh, will I ever be better at placing holds”, but relative resignation and quick return. It isn’t despair; half my loans do get finished. It’s the idea that a book to be read takes up space in the back of my head that I always desperately need, and maybe the person behind me in line could use the book more than I could.


    Very occasionally, when I have the resources, I’ll buy a book. Usually it’s an ebook, because it’s simpler to carry around a library in a small device than it is to cart around the four books I’m reading at once, but sometimes it’s paper. Sometimes, I get the book exactly when I need it, and it’s devoured within hours or days. Sometimes, when that happens, I love the book. There is no purer bliss, no greater satisfaction than that.

    More often, when a book is purchased, it sits around for a long time. I almost always get to them eventually. My patience is infinite when I can plan times to try a book, set it aside if I’m not quite in the mood for it, and plan to try it again. Most of my paper books don’t even live with me; I have little room, so they sit in a bookcase at my mom’s. It’s an interstate library of my very own, for the moment. Knowing my Kindle library or my old room at home have experiences tucked away for later isn’t quite the joy that the right book at the right time is, but it’s occasionally flashes of warmth.

    Money can’t buy happiness, but it can buy good book timing. And isn’t that the same thing, in the end?

    In the meantime—and for always, I hope, even if I have the money for a larger personal collection—I have the library. Getting a book on hold at the right time isn’t quite as easy as buying a book when you have the money, but it is sublime and worth every single hold returned unread.


    Maybe, in a couple months, Anthony Bourdain will make his way back onto my holds. In the meantime, I have Sharp Objects to read.

  • resembles nonfiction

    Tweeting in the Time of Burning Screaming Apocalypse

    I don’t remember very much about my first appointment with my therapist, Colleen. It was primarily a screening, I think. She asked me all the standard questions: Do I have little interest or pleasure in doing things? Trouble concentrating? Thoughts of hurting myself?

    At the time, I hadn’t yet been held on suicide watch at a mental hospital, so I was very trusting. Every question made me spew answers because I have so much to say about my experience as a person with depression. I monologued about my life for nigh unto the full hour.

    After listening to the slurry of babble, Colleen asked only one question: “Where does your guilt come from?” she asked. “Who modeled it for you?”

    Before that first appointment, I’d never thought of myself as having a guilty conscience. As soon as she said it, I saw it everywhere. The way that I blame myself for everything. The sense of being responsible for my entire environment and also most others’ environments. The way that someone else will bump me in a crowd, and I will still be the first to say, “Oh my gosh, I’m so sorry, I’m so clumsy.”

    You could call it Catholic guilt, I guess. I come from a Catholic background. Self-flagellation is the name of the game in Catholicism, and we relentlessly practice self-martyring, which feels like a dreadfully responsible thing to do. If we don’t feel guilty about the ills of the world—about our sins—then we’re definitely going to Hell.


    Like most Millennials, the first thing I do upon returning to consciousness after a night of sleep is grab my phone. As soon as Do Not Disturb comes off, the alerts come up.

    It comes through Apple News—both WaPo and Time want me to know that America is detaining migrant children. Twitter makes sure that I know it too, not just because it’s in my friends’ list, but because they now alert me to big news stories as they pass. It’s on Facebook, from my local newspaper; it’s on NPR when I ask Alexa to read me the news.

    Even though the world has only just learned about it, there are lengthy think-pieces on the matter. I take the time to read The Atlantic’s hot takes. I like The Atlantic. It’s regarded as being moderate by more liberal critics, and offensively liberal by conservative critics, which means that it’s about as balanced as you’ll get in the country.

    The Atlantic has excellent writers on staff, so reading about the way that children are detained is vivid and visceral. I’m beside myself. I can’t go to sleep that night.

    A few weeks before we learned about the detained migrant children, I had been in the mental hospital. “I think I’m only so messed up about this because I’m relating to it too much,” I tell my husband. “I’m only sympathizing because I feel like I’ve been in a similar place.” Left loudly unspoken is my self-evaluation that I’m human slime for being able to empathize with these children, who remind me of my own children, only because I have mentally centered myself in the situation.

    If I were a better person, I’d feel guilty for everything America does wrong, not just this one particularly horrifying thing.


    On Twitter, one of the brilliant women of color I follow has tweeted a lengthy thread about white supremacy. She explains how many migrant children, abducted from their families, are entering the American adoption system. People are profiting off of this separation. It’s really insightful.

    I’m horrified. I want to contribute to the conversation. I draft a reply.

    Then I think about what I’m writing.

    Nothing that I type seems to have the proper emotional gravity, despite my initial tweet beginning with the words “yeah, ugh” and a frowning emoji. I launch into an explanation of my experiences as relevant to the topic (like a time I saw something bad happening to someone else) and how the world Just Shouldn’t Be Like That.

    But the world is Like That, and my role in this world is different from hers. Her perspective is more relevant than mine—she is from a migrant family, she has a law background—and I don’t need to derail the conversation by calling attention to my irrelevant perspective. Especially not right now.

    In fact, I don’t need to reply at all.

    And I don’t that time, even though I often have in the past, blindly stumbling through conversations with my good intentions swinging wild right hooks every which way.

    Instead, I retweet. I decenter myself. I hope that the conversation, led by the original poster, will be more fruitful without me in it. And I quietly hate myself for not being one of the victims, but one of the people who has contributed to making the world worse for them.


    Decentering whiteness is a key aspect of social justice in this era. America’s built on white supremacist bones wrapped in the snuggly-wuggly flesh of something that doesn’t look like white supremacy, but has been grown on the scaffolding of it. White people can’t begin to unpack and attack our complicity until we admit that it’s there. It’s on the surface level, it’s at the core, it’s everything.

    Of course, if a white person chooses not to unpack this, there’s nothing that will force it to happen. Other white people aren’t going to make you do it. White people really like being in a happy white bubble. It’s awkward to point out how your son’s public school is reinforcing white supremacy, and we can’t have this awkwardness, that feeling of guilt forced upon us exogenously by white people breaking the patterns of white conversation that happily skirt around the rotten heart of white America. This is not civilization.

    Decentering ourselves is difficult. It’s an inherently selfless thing, and white people don’t really know how to be selfless.

    We’ve been raised on a narrative of white America fixing the world’s problems. We are fluent in it.

    In elementary school, we hear about how white colonists arrived in the Americas, made friends with the natives, and then something-something-something happens and all of a sudden, after Thanksgiving and something involving redcoats, we’ve made a country. A free country filled with religious liberty and native princess Halloween costumes and little narrow strips of land where surviving natives are graciously permitted to live, for now.

    When South American loggers perform deforestation in the rainforest, Captain Planet (surely a white guy under his metallic skin, given his mullet and high levels of intervention) rolls in with his team of carefully diverse children to fix that shit, because that’s what we do.

    Even in science fiction, cultures that are essentially Space Americans (like the United Federation of Planets, But Mostly Earth, Because Fuck Those Other Guys) rove the galaxy to seek justice and make worlds better. The Prime Directive is meant to prevent some level of interference, but it doesn’t really stop our heroic crew from intervening in what they decide are injustices, infecting planets galaxy-wide with Space American Values.

    Our culture is built around colonization. Our brains have grown in that vat.

    So when white Americans arrive in social justice spaces, we’re ready to fix it all, just the way that we’ve always “fixed” things. We want to colonize the movements started by the marginalized. We want to make it all better.

    That’s what we do.

    The fact that we think we have to use our power For the Better is part of the rot in America.

    In fact, we must cede power.

    We have to choose not to be the loudest voice in the room. We have to make ourselves less.

    When we’ve spent your entire life privileged, deliberately trying to push even the most unearned privilege away is really goddamn uncomfortable.

    No matter how uncomfortable it feels to realize I’ve spent my entire life benefiting from and feeding into a system that dehumanizes, exploits, and often actively kills people who don’t fit into a narrow privileged class, it’s less uncomfortable than being a small child taken from one’s parents and sold to an American family.


    For nights on end, I dream of peeling paint surrounding doorways blocked only by shower curtains on pins so weak that they won’t stay up for the duration of a shower, much less allow me to hang myself. I’m bored without pens, computers, shoelaces. I pace the lightless hallway on non-skid socks and note that the building is sinking. The end dormitories are several inches lower than the fore.

    I wake with panic attacks. There are children being kept in inhospitable, sometimes clinical environments. They miss their parents. They don’t know when they’ll get to see them again. I didn’t get to see my children for almost a week and spent so many hours weeping that I was a husk by the time I went home.

    Something needs to happen with those children.

    Naturally, because I pick up my phone as soon as I awaken, I’ve seen alerts for conversations about this on Twitter. I should tweet about it too. I make repeated attempts to distill the existential scream inside my soul to 280 characters. I delete about a dozen drafts.

    Then I retweet a lawyer offering a site that will donate to twelve migrant-supporting organizations at once, and then I also donate my own money.

    I try to draft a tweet about my donation.

    It sounds self-aggrandizing. I delete it.

    I’ve opened my wallet to help these children, but it doesn’t really feel like help. If I were a better person, I would be on the border finding a way to get involved. I wouldn’t be sitting on my phone in the predawn morning trying to draft tweets and hating myself for always say the wrong thing.

    At some point I’ll have to say something, won’t I? The world is burning down.


    My Twitter feed can’t always be retweets, and it can’t always be politics. At some point I stop looking at my feed. I turn off all alerts for Twitter, The Atlantic, The New York Times, and Apple News so that I can pick my phone up without remembering how much horror there is in the world.

    I think about what I’ve done today. I give myself permission to tweet about something that I know perfectly well.

    “Wow that was a poop for the history books,” I finally tweet.

    It’s true, I had a pretty great poop. It’s firmly in my wheelhouse. It’s my lived experience. I have absolute authority to talk about it, although the tastefulness is somewhat more controversial.

    I feel guilty for tweeting levity instead of the existential screaming in my soul. If I were better, I would climb onto a crucifix on behalf of those children. I’d give them all my money instead of small recurring monthly donations. I’d really do something.


    My stupid tweet gets five likes. Two of my friends talk with me. They’ve also had wonderful, historic poops this week, and I’m happy for them. I can be happy while creeping along constant low-level guilt. It’s not like our willingness to discuss poops means we’re blind to the horrors of the world. But I feel like my ability to even enjoy these moments of levity is a sign of enormous privilege—one more way that the system benefits me while grinding others into dust. Guilt and puerile joy have become bedfellows.

    “If it’s outside your control, there’s no reason to feel guilty,” Therapist Colleen told me once, to paraphrase. “Once you’ve done your best and taken care of the things in your immediate control, you have my permission to be proud of yourself.”

    She acknowledged that this was nigh impossible with anxiety, and I haven’t stopped hating myself for failing to be a great martyr.

    I will vote in a couple of months, and I’ve written several screaming letters to my legislators—less exciting than crucifixion, but slightly more sustainable. I’m not the center of the universe. I can’t fix everything singlehandedly. The world isn’t about me. Sometimes it’s better to get out of the way. Sometimes it’s better to retreat onto a website of one’s making, outside of the public discussion space, and write ironic, navel-gazing think-pieces defying the thesis of the think-piece in the first place.

    Just as there’s no ethical consumption in capitalism, there’s also no way for a white person to operate in America without benefiting from white privilege. There’s a lot to feel guilty about. There’s a lot to work on. The end game is still beyond the horizon, and the sun won’t rise there until long after I’m gone.

  • movie reviews,  reviews,  slice of life

    Nothing Happens in Napoleon Dynamite

    It’s been a long time since Rory and Sara watched Napoleon Dynamite. It came out in 2004—the year that Rory graduated high school and Sara entered her junior year—and even though the siblings shared much of their social group, the confluence of events still led to them watching it separately.

    Rewatching the movie together in 2018 seems both new and familiar. They’ve changed a lot in fourteen years; older, wiser, and having been fatted off the cultural teat of the movie for more than a decade. “I barely remember the movie,” confesses Sara, “even though I’ve never stopped quoting it. Vote for Pedro. Remember that?”

    “The llama is the only funny part,” says Rory. “Tina, eat the food!”

    “Everyone wore Vote for Pedro shirts.” Sara has gone misty-eyed with nostalgia for a movie that she remembers as mostly very boring.

    It’s not a very long movie, but they still don’t plan to commit to it. An hour and a half later, they’ve watched the entire thing.

    “Yeah, I still have no idea what I watched.” Sara is switching to a different movie now. Their PS4 is usually little more than an expensive movie-watching device. The icons indicating games they’ve played haven’t been clicked in months.

    “It was kind of painful,” Rory said. “I always related too much to Napoleon Dynamite. That awkwardness, the displacement. And everything looks the way I remember from my childhood.”

    “Pocket tots is a great idea though,” Sara says. She selects Underworld from 2002, starring Kate Beckinsale. “Now this is a good movie. It makes sense. Napoleon Dynamite made no sense.”

    “Nothing happens in it,” agrees Rory.

    They are seated on opposite corners of a home movie theater. The fake-leather camel-colored couches match the taupe walls—an offensively desert color schema chosen by the previous homeowners, and which Sara (the homeowner) has never gotten around to changing despite her general sense of ennui in such drab confines.

    Both siblings wear thick-framed glasses over noses that are like isosceles triangles sitting on their fat bottoms. They have very little by way of lips, like heroes on BBC Channel dramas.

    On the TV, a vampire superhero-jumps to a sidewalk and sashays dramatically amid an unsuspecting human crowd.

    “My gender identity is urban fantasy heroine,” says Sara, maneuvering her Roblox character to pick up a treat for her honey-gathering bees. She has been playing Bee Swarm Simulator ever since the beginning of Napoleon Dynamite. “I dress just like Selene.” She’s wearing black leggings from Costco and a t-shirt with spooky cats printed on the chest.

    Rory does not reply. They’re currently talking to their Online BFF, who they claim to be a gorgeous queer in Eastern Europe. Sometimes they talk to their Online BFF for hours. It’s very distracting.

    “I think I could do a landing like that if I was wearing those big black platform boots,” Sara says thoughtfully. “Not from very far up, mind you. But I could look really cool.” She’s having ideas now, which are taking her far away from the sagebrush-swept hills, hollow under the crisp autumn nighttime sky, so she switches from her laptop to her Hobonichi journal (“Special ordered from Japan,” she told her husband upon ordering its predecessors—she’s now owned five).

    “Parts of Napoleon Dynamite were funnier than I remembered,” Rory says suddenly. They’ve zoned out talking to their online friend, but snapped back to the previous conversation. “I don’t like how they were picking on him for being weird.”

    “Yeah, but Napoleon is a bad person. Maybe you’re supposed to feel comfortable laughing at his weirdness because he’s bad.”

    “How so?”

    “He uses, you know, the r-word we don’t like,” Sara says. She’s drawing Lucien, the leader of the werewolves (sorry, the Lycans). She spends a long time shading his upper lip. “He’s a jerk to the girl with the side ponytail. He’s always fighting with his brother. Is it just me, or is Lucien hotter than he used to be?”

    “I’m not sure if I’m attracted to him or if I want to be him,” Rory says. “That sort of dirty rockstar werewolf thing. Sorry, Lycan thing.”

    Sara’s drawing of Lucien is not very attractive. She shows it proudly to her sibling. “I think it’s the best I’ve ever done.”

    “Wow,” Rory says supportively.

    “I’m getting to be a really good artist.”

    “You sure are.”

    Their cat, Poe, sneezes loudly. She rolls over so that her paw can rest on Rory’s arm.

    On the TV, vampires are fighting Lycans in the hallway.

    “I like this movie’s aesthetic,” Sara remarks.

    “It was filmed in Eastern Europe.” Rory is an expert in Eastern Europe, movie trivia, and werewolves. “There was one that they filmed in Canada instead of Eastern Europe and it was all wrong.”

    “Eastern Europe? You know, that makes sense. I sensed there was something different. It’s so modern-urban, but not American.” Sara fancies herself an expert in literally everything, and she speaks with knowing authority. “Underworld and Napoleon Dynamite have a little in common. They’re both really aesthetic.”

    “Yeah, but again…” Rory shrugs. “Napoleon Dynamite makes no sense.”

    Whereas Underworld knows exactly what it is, and communicates it clearly. It’s a paranormal romance. It executes every urban fantasy trope flawlessly. “The genres are closely intertwined,” Sara says. “The line gets fuzzy sometimes. Basically you can only tell it’s a paranormal romance if it follows the romance structure, which this just barely doesn’t. It’s pretty solid UF.” UF means urban fantasy. Sara is an author. She can sling terminology around, and does so proudly and frequently.

    She’s still shading Lucien’s upper lip.

    The movie theater is disappointingly quiet through the most exciting battles of the movie. The surround sound has broken. They haven’t replaced the receiver yet, because they’re expensive. Sometimes Sara shops for them on Amazon and leaves in disgust because it’s either another crappy Onkyo or something that costs actual money.

    When Selene opens Viktor’s tomb, it makes a muffled grinding noise that would have sounded great coming out of the subwoofer.

    “Maybe Napoleon Dynamite was a fairy tale,” Sara suggests. “Everyone ends up getting what they want. The Creepy Uncle gets a girl. The brother gets Lafawnduh. Napoleon gets the entire school’s adulation with one stupid dance.”

    “That’s a thought,” Rory says.

    Viktor is annoyed to have been awakened early.

    “This is such a great movie,” Rory adds.

    “So good,” Sara agrees.

    They don’t get to finish Underworld. The kids come home from an outing with their dad, Sara’s husband. The eight-year-old sits through some of it, but bedtime means bedtime, and soon they’re tucking him in.

    Sara is still thinking about Napoleon Dynamite later, sitting on her balcony as she paints the sunset using her iPad Pro with the Apple Pencil. She’s been doing five-minute drills painting the sunset from the same spot to get better at digital painting. She always spends too long etching out all the pine needles on the tree, and runs out of time.

    “I don’t think the movie has any point at all,” she decides.

    At this point, her husband is huddled over Factorio on his laptop, and he turns bleary eyes on her. They are red-rimmed behind thick-framed glasses. His beard is bushy and beginning to show gray hairs among the dark-brown. “What?”

    “I don’t think Napoleon Dynamite has any point. I think it’s just some wacky characters doing things. Sometimes it’s funny. But it’s kinda not, too. You’re just looking in on those lives. Haha, look at the weird dorky people.”

    “Wow, I haven’t thought about that movie in years,” he says. “Vote for Pedro. Remember how everyone wore shirts like that?”

    “I think they’re coming back. Retro nostalgia thing.”

    “Wow. We’re getting old.”

    “We sure are,” Sara says.

    Her alarm goes off. She stops painting. She’s barely rendered the tree, and there is a yellow blur that could arguably be a cloud in front of the sunset.

    “Let’s go to bed,” her husband says. “I’m tired.”

    She takes one last hit off the bong. “Okay. I’ve gotta get up to go to the gym tomorrow early. I’m getting strong, like an urban fantasy heroine.”

    “Sure you are,” he says.

    “Wanna see my bicep?”

    They file inside through the balcony door. The sky is big and the desert is empty, except for all the autumn-yellow rabbit brush swaying in the nighttime breeze. It’s very quiet. A van drives past.

    The door locks behind them.