• Diaries

    A retrospective on Sara’s 2023 artwork

    We approach the end of the calendar year, which gets me feeling reflective. It’s been a weird couple of years here, otherwise unrepresentative of how I’ve spent my adulthood, but I think I’ve been consistently the happiest-ever. I’ve always been stressed out as hell and just didn’t know how to…stop stressing.

    It’s not that I’m worry-free. I’m just not dogged by the persistent dread I recall from pretty much always.

    I became an adult just in time for the recession of ’09; my first and only real job spent several years declining in pay as I watched my hours chopped and the sword of Damocles getting wobblier. By the time I left real employment, I had a year-old baby, and I tumbled screaming into parenthood while supporting the family off artistic self-employment, which made me a *total* mess. Successive near-death medical incidents just totally screwed me up seventeen ways to Saturday. Having never paused to grow up, I struggled real hard.

    The last few years leading up to the 2020 pandemic were stuffed with therapy and other psychiatric care, which is good, because that was when I finally, truly, fully burned out and couldn’t do anything.

    2020 was rock-bottom misery, loss of identity, pitch black.

    In 2021, I was uncertain but waking up and growing up.

    In 2022, I was looking around to figure out where I landed.

    In 2023, I’ve just been making art, basically. All art, all the time, constructing something expressive out of everything else.

    I’m not sure where I’ll be in 2024, but I’ll be lucky if next year looks anything like this one. I feel like I’m building momentum toward something. I just don’t know what.

    ~

    Captain Pegi comics marked my months-long reinvigorated obsession with Star Trek. I binged the 90s shows in 2020, and then again in 2023, and for a while my identity was just kinda Starfleet.

     

    The story here is that Pegi is actually a half-Tellarite exomalacologist, which means she studies space slugs. She’s very good at what she does but absolutely not cut out for command. But the captain on her ship dies in an accident, the high-ranked officers are in a spat, and Starfleet permits Pegi to take charge. All of the Captain Pegi comics to date are on Wholesome Morbid, my webcomic page.

    ~

    It’s such a behemoth in my life that I can’t neglect to mention it, even though I chose to do zero (0) work on the project in the back half of 2023.

    Atop the Trees, Beneath the Mountains did continue to occupy my time on the front end of the year. You can see a bit about it on Tumblr, but it’s no longer accurately representative of where the project stands, since dramatic edits have happened.

    Last I checked, the previous draft was around 280,000 words, the rough draft was about 320,000 words, and there are well over half a million words of drafted material available to me.

    I worked on that puppy *hard* for three and a half years straight, including producing a Quite Large appendix that is *mostly* complete. If I took out the chapters I didn’t finish and published it as-is, I wouldn’t be embarrassed. It’s meaty. I left it off at 150 pages.

    The future of this book isn’t certain, but I plan to return to working on it once I finish Fated for Firelizards.~

    Speaking of Fated for Firelizards.

    Another thing I toyed with in 2020 was RenPy and TyrannoBuilder and the whole idea of a romance game. I decided to play with Twine this year, which draws on some of the principles I learned there, without as much an emphasis on art…or so I thought.

     

    Foolish me! At this point, I’m over thirty images for this “mostly just text” game and absolutely going to cross fifty illustrations before I’m done. The actual book won’t be that long if you take a single path–a normal shortish novel. I thought I was keeping the scope small. I am a FOOL. Hahaha.

    Anyway, it’s up to Chapter 11 and totally free and you should read it if you’re an adult who likes playful smutty stuff.

    ~

    One of the things I wrote this year is my favorite-ever pieces of fiction, called The Wolf Made Differently. It’s historical fiction about Vikings. The story used research I’ve been doing kinda casually for years, ever since I visited a Viking museum in Denmark. Apparently this is a historical period people like to see in fantasy, but not so much in normal historical fiction. Oh well! I enjoyed writing it.

    ~

    The above represents the bulk of my public work for the year, but I’ve had other stuff going on too. I’d like to photograph it all properly so that I can share these collections on my website nicely. Not just with random blurry phone snaps.

    But even if all that ^^^ was all I did this year (in addition to loving myself better), I’d say it’s been a pretty fab year!

  • Art by Sara
    essays,  movie reviews

    Exploiting Pretty Queerness in Single All the Way

    First off, I just want to say, I love Single All the Way. I could sum it up by saying that it’s the most wholesome commercial for a gig work app featuring gay guys, and actually mean it in a nice way. (Sometimes commercials are great. Have you seen Long Long Man?)

    I review a movie for the first time mostly based on how much I like it. It’s hard to dislike Single All the Way. You must be a Grinch who is somehow immune to Jennifer Coolidge’s cleavage or something.

    Always, I narrow the scope of reviews because I could say a lot about most projects. The writing alone could gives room to discuss themes, subplots, craft, tropes; I also really love visual art and could talk a lot about that too. The music, the actors, the movie in its time-and-place… I usually just pick one to elaborate on, or I brush over a couple.

    But I’m someone who loves rewatching movies into the ground because it’s fun to think about all those things! Focusing on music cues and sound design on one watch can be so educational. Editing always deserves a close eye.  I’ll rewatch a movie until I run out of angles to think about it, basically.

    I just rewatched Single All the Way. My opinions from the first review hold strong: it’s genuinely wonderful.

    Yet there is something itchy like an ugly wool Christmas sweater if you look too long at Single All the Way, and that reaction is also worth exploring.

    ~

    Please note my rants get spicy because I’m a rowdy human, but if you love Single All the Way, I’m not saying anything about you by criticizing it. Taste is deeply personal. You know your relationship with any given project; you know you’re not being like a fascist or whatever by just enjoying guys in sweaters. I know this too.

    Also, almost no single movie is a cause of massive societal harm, but rather a small symptom of a greater culture, a single voice in a choir, or even a shard of a great shattered mirror that slices us to bloody shards even while showing us our own beauty. I will criticize movies for what they do while also respecting the difficulty of a complex art made by people just trying to work in a difficult world.

    Still, I think criticism is healthy, so I focus it upon the ideas that a project summons with its existence. I hope you’ll get rowdy with me about these ideas, and hold them with exactly the importance they deserve: very ephemeral ideas from some writer on the internet.

    Let’s have fun here, but let’s be super honest.

    ~

    Single All the Way is kind of a hellhole abomination and gay people have every right to loathe it.

    Where the hell was the funding for this? You can’t tell me that some CEO couldn’t gave farted out some cash for this project. Netflix is always using its money in stupid ways. Give all your stupid money to the gays, Netflix.

    Forcing us to watch a Task Rabbit commercial to get gay guys?

    Especially when gig work is so deeply exploitative? (I didn’t see recent articles about the app, but their history isn’t great, as you would expect.) (Salon)

    Is this where we remain as a society, where cute romances about gay guys can only get funding if they’re bland enough to be worthy of advertising some polished capitalist turd?

    Like yeah. (Associated Press)

    I guess we are still here. (New York Public Library)

    ~

    Being conventionally attractive and economically secure demands a variety of enrollments into cisheteronormative patriarchy that is hostile to the queer community. I apologize for being awkwardly multisyllabic. Please imagine that sentence roared in a monster-voice to help set the tone appropriately.

    Standards of beauty are strongly tied to culture. Conventional attractiveness is a combination of youth, time and money investment into beauty rituals, and myriad other transient privileges. “Good genetics” don’t really matter. Models look weird as heck! But in a nice way, obviously.

    This investment into being attractive is so expensive.

    A greater proportion of queer people are disabled than with those who are straight. (LGBTmap – link is a PDF) (HRC)

    A greater proportion of queer people are unhoused and have lower socioeconomic status. (APA – link is a PDF)

    Conventional beauty is work that a lot of queer people can’t perform, or aren’t willing to perform, and queer beauty is often fully rejected by straight people. A gender binary enforces rigid dimorphism based on assumed sex. Drag queens are conditionally accepted because we love clowns (Tumblr), but we are still extending generosity to people putting vigorous effort into looking great. This vigorous effort to appeal to narrow beauty standards can hurt. (CNBC)

    *Cost* of beauty isn’t the only connection to work. Meeting beauty standards is an important safety mechanism when ninety percent of trans workers reported harassment at work. (American Progress – link is a PDF)

    In capitalism, you are not enfranchised unless you are working and earning money. This has gotten even harder for marginalized groups, including queer people, since the beginning of COVID. (Rutgers) America tangos with fascism (Lawyers, Guns, & Money) so overt that even your elderly neighbor with the Hillary 2016 flag noticed, so we know that these precarious situations are at risk of worsening.

    It’s interesting to know that fascism loves beauty. (Open Democracy)

    ~

    The beauty of queerness is how it is a sprawling, eldritch thing, encompassing everything about the experience of Being a Human outside of the center stripe of societal convention. Queers can be pretty and rich, but oh, how many of us are? How many of us ooze? How many of us are covered in hair and bruises? How many live out of bank accounts with all red numbers? How many more aren’t getting nearly the medical care they need, and smile their beautiful smiles around broken teeth, batting triple rows of stick-on eyelashes and acting fabulous no matter how crappy they feel? How many queer people have just straight up fucking died because our world hates them so much?

    We don’t need to see this stuff when we’re in a Christmas movie mood, necessarily, but do we really have to watch *this* much sponcon to get the scraps they’ve tossed our way?

    ~

    Who exactly is benefiting from the representation in this movie?

    This is a big world, so it’s safe to say that a good number of queer people feel close to this experience…but not a big number.

    I think there are plenty of families (with or without queers) who like Christmas movies and enjoy having better representation on their screens, which has nonzero value.

    But mostly, the beneficiary is TaskRabbit and Netflix. (Vox)

    I’m sure TaskRabbit enjoys an aura of inclusivity among its target demographic. Given that one of the gay leads is actually taking on this gig work, one might wonder if this is more a recruitment ad than a sales pitch to consumers. “We know you’re broke,” they say. “Let us exploit your labor.”

    The genre is usually disinterested in the reality of socioeconomics (and fairly so), but it feels far more conspicuous when a vulnerable population is given such a glossy once-over for the benefit of a late-stage capitalist monstrosity. (Economic Policy Institute)

    ~

    Queers deserve access to escapist fantasies about love and hope, which is the point of the holiday romcom genre.

    And representation matters for so many reasons. A conservative state will not radically transform overnight, and in the meantime, queers deserve to see themselves in every situation, no matter how imperfect the reflection. The hope we feel when we watch this — for those of us who can get hope out of it — can help get through to the next fight in the generations-long work for progress.

    I especially like how representation in Single All The Way might help shift the Overton Window for nice-but-conservative old white ladies who will never watch, say, Queer as Folk (YouTube), but might watch a Hallmark-like movie and think, “Love is love and this is very cute.”

    But I’ve seen folks revolted by Single All the Way, and if you sit with that feeling a minute, it’s easy to see it in a totally different light.

    We can celebrate our cute representation but remain discontent and ungrateful. We can’t ever stop expecting better because it’s easy for the world to be dreadful, and honestly, we’re still a long way off from doing right by all our neighbors.

    Now where’s my fat disabled dyke romcom? If this exists, sincerely, please tell me yesterday, because I want to be wrong about missing this representation *so much*.

  • sara reads the feed

    SRF 16: Drawing romcoms, timely prose, and nerds in space

    I think I might spend next year writing what kind of Obsession Days I have in my annual planner (I use Hobonichi). Lately I haven’t really remembered what I’m up to in retrospect because I’m getting all swept up in whatever creative pursuits, and if I just wrote “movie day” and “drawing day” and “crochet day” on these entries, I think it would cover a lot of bases.

    It would also explain why I’m frowning at my yarn stash, wondering why nothing has gotten crocheted. Honey, you were drawing the last few days. A lot of drawing! And writing movie reviews.

    Of course sometimes the Obsession Day is going to be “[insert name of video game here]” and right now it’s Baldur’s Gate III. I keep kinda going back and forth on whether I *love* it or not. It’s obviously an outstanding game. It’s so good. I would not say two negative words about the game as a product overall: it does such a marvelous job bringing the TTRPG feeling to my computer, with incredibly detailed graphics, and in such an optimized way that it runs *really* well on all sorts of systems. I don’t love the story itself, but the complexity of execution is utterly fascinating.

    So when I say I’m not sure I love it, it’s entirely personal. I was actually feeling this way about Skyrim (of which I’ve probably played at least 1000 hours) so I don’t think it’s about the game itself. There is something aesthetically or thematically that is frictious to me, but in a way that I’m still very interested and want to explore.

    I almost wonder if I’m getting sick of the way video games nonproductively hijack the dopamine pathways of my brain and make time vanish, especially when it’s a game I reeeaaally like, like a fantasy RPG.

    ~

    Speaking of drawing, you’ll now find three reviews of mine also have illustrations attached: The House Bunny, Last Holiday, and My Big Fat Greek Wedding. Like I said, I’ve been having a couple drawing days. I’m picking movies kinda arbitrarily based on which heroine I feel like drawing. The aesthetics of movie heroines are really catching my eye lately!

    ~

    My favorite read this week was probably Who Gets to Play in Women’s Leagues? on The New Yorker. I’m keyed enough into trans and intersex issues that I caught a whiff of transmisogyny from this, but it’s written by an intersex cis woman talking about her experiences, so I think it’s just a cis person doing her best? The information is good, as far as I can tell, and I haven’t seen such a complete debunking of myths and explanation of science/society behind gender and athletic competition.

    ~

    The French TV industry crew is thinking about striking. (Variety)

    ~

    A story about nontraditional families stepping up for each other in traditional ways in Korea, focused on a woman adopting her best friend. (AJE)

    ~

    I am absolutely fascinated by José Lerma’s heavy impasto, and I lament that these paintings would absolutely not be safe to lick or chew on, for multiple reasons. (Colossal)

    ~

    What do you think is the top worldwide box office winner? Hunger Games? Nope, it’s called Animal, out of Bollywood, and starring the talent of Ranbir Kapoor. (Variety)

    ~

    Scrolling through some really dark news in my feed, there was also this bit of prose from Only Fragments in the middle. My emotions felt really validated seeing this. Like, hey look, someone with some of the flavor of my mind.

    ~

    Queen Latifah, Billy Crystal and others celebrated at Kennedy Center Honors (NPR)

    I’m going through a tiny Queen Latifahssaince in my life and I always adore Billy Crystal, so just seeing their faces together makes me happy. <33

    ~

    Will nuclear fusion work as an energy source in the imminent future? (NPR) Idk I’ll ask my 13yo. They’ll know.

    ~

    Why Indian Buddhism has gardens, not monasteries (Psyche)

    I’ve been studying Buddhism here and there while I try to grapple with my mortal body. I also started gardening about the same time. So this is an interesting read for me.

    ~

    Ars Technica talks briefly about Star Trek voices in video games. Heh, I played a lotta these.

    ~

    Wait, someone watched Halo Season 1? Enough people watched Halo Season 1 for us to get a Halo Season 2? Someone wants this? (Variety)

  • sara reads the feed

    SRF 15: Brain rest, alloparenting, and cosmic horror

    I’ve been keeping my head down and writing a bit, which calls for supplementary activities that turn off my brain. I’m crocheting a lot. But I’m also playing more video games again because 1) fiction wears me out, 2) my wrists/hands/arms can use rest, and 3) Baldur’s Gate III is a lot of fun.

    I like storytelling games as a genre. BGIII makes me think about fantasy combat RPGs like Skyrim, sure, but it also makes me think about Crusader Kings and Dwarf Fortress, which are generative storytelling games first and foremost. The dynamic story elements in BGIII means it’s possible to play out the story in a ridiculous number of different ways. It’s more constrained than my favorites, but there’s enough leeway to echo the vibe.

    The higher level of mental rest also means fewer reviews (well, I’m still going daily, but I’d been doing 2-4 for a little while and that’s nuts) and less link spam. I know you understand, void.

    ~

    From Publisher’s Weekly: The Scholastic union reached a tentative agreement!

    ~

    NPR: Bringing up a baby can be a tough and lonely job. Here’s a solution: alloparents

    “Even the most adorable, sweet, easy babies are a ton of work,” says psychologist Kathryn Humphreys at Vanderbilt University.

    In Western societies, much of the responsibility often falls to one person. In many instances, that’s the mother, who must muster the patience and sensitivity to care for an infant. And a lot of time she’s working in isolation, says evolutionary anthropologist Gul Deniz Salali, who’s at the University College London. “I just had a baby 9 months ago, and it’s been really lonely.”

    “There are these narratives [in Western society], that mothers should just know how to look after children and be able to do it [alone],” says Chaudhary, who’s at Cambridge University.

    But human parents probably aren’t psychologically adapted for this isolation, a new study with a group of hunter-gatherers in the Congo suggests. A “mismatch” likely exists between the conditions in which humans evolved to care for babies and the situation many parents find themselves in today, says Salali, who contributed to the study.

    Together with a handful of previous studies, this new one suggests that for the vast majority of human history, mothers had a huge amount of help caring for infants – and even a lot of support with toddlers as well.

    My kids are being raised by 3+ parents. Three of us live in the house, anyway; they’re also really close with my husband’s parents. The third in-house parent is sibling Rory, who moved in full-time when Little Sunshine was embryonic, and is our agendered tertiary parental unit.

    Any human has a right to a full life, and I think that includes Moms of Younger Children. I often benefited from Agendered Tertiary Parental Unit in my twenties, when I needed to do some hot bitch 20-something stuff, because losing agency in pregnancy and breastfeeding made me totally snap. Call it postpartum, call it fomo on the young people experience, call it enjoying the fact I suddenly had money. A support system meant I got to be there for my kids a *lot* but I also got to run off and live my own life a *lot*.

    I have just as many memories of going out to concerts with my friends and taking vacations with my spouse as I remember long snuggly weeks chasing toddlers, and I feel really lucky for that. I couldn’t have done it without a community of alloparents, including the one I live with.

    I’m definitely not the most present mother in the world, but I’m also far from the least. Nowadays, my availability is a sine wave based on how my cognitive disabilities are going, basically. I am available every day for routine things (bedtime, making meals) and having nice chats, but I’m not the mom who is organizing playdates, structuring activities, etc. That’s really all I have and, frankly, all I want to give. I’m not interested in most traditional Mom Stuff that was expected of the parenting generation immediately before mine.

    Sunshine has said that Rory is as good as Mommy; Eldest Moonlight feels Rory is like some very special Gay Yoda who lives in the house and also adores them. I love the very special relationship I have with my kids and I love that they are lucky enough to have close special relationships with other adults who love them too.

    ~

    Here’s a bit of Variety puff about Sarah Sherman on SNL. She’s the “body horror comic.”

    I’ve been thinking about her a lot because horror hits Gen Z differently than it hit my generation – like, remember how it was dangerous to be a nerd for Boomers and Gen X, but Millennials made nerds cool? Well, Millennials were kinda uneasy with horror as a cultural movement, and Gen Z has made it their Thing. I love it.

    I am okay with Sarah Sherman. It’s actually not her gross bits that bother me, but the fact that she sometimes screams straight through other sketches, and she just doesn’t have a lot of dynamic. I personally like comedians who can do dramatic roles as well as comic ones, and it’s still too early in her career to call it. I don’t even know that’s in her interests. Maybe she’ll go in a more technical or production direction?

    ~

    Lawyers, Guns, & Money have a good read about Kissinger’s hatred for India and how he was a scummy scumbag, not a pragmatist.

    ~

    One of The Weeknd’s songs is doing that thing where it gets a belated TikTok revival (Variety). He has a lot of really good music, Die For You included, but I’m not over the general disappointment of his live concert and that hilariously bad tv show. We’re still on the outs, Mr Tesfaye. Sorry.

    ~

    Here’s a review of Bill Watterson’s new book (The New York Review of Books) which spoils it so thoroughly, you kinda don’t need to read it, but I’ve got it on order anyway. It sounds like it needs to live with my art books.

    If you recognize the name Bill Watterson but aren’t sure why, he’s the legendary elusive hermit artist responsible for Calvin & Hobbes.

    Billed by the publishers as a “fable for grown-ups,” The Mysteries is structured like a picture book, slim and square, with a sentence or two on every left-hand page and a single image on the right. The words are spare and, especially at the beginning, seem simple. The time is “long ago,” and the people live in fear of “the Mysteries” that dwell in the woods, “shrouded in mists,” unseen but apparently “everywhere.” Stories are told of them, paintings painted of the sufferings they cause, walls built to keep them out. Finally, “the desperate King” sends his knights out into the forest to hunt down these Mysteries and bring them back.

    ~

    A short read about ghostwriters behind the YA and middle grade books of my era from BookRiot.

    ~

    I wasn’t planning on reading Liz Cheney’s anything, so I appreciate this Balloon Juice overview of the bits I’d find mildly interesting.

    ~

    Ars Technica talks about an innovative geothermal power plant that is…not very far from me. Somewhere northeast ish. Like if I headed out to the farm town where I used to do corn mazes, I might trip over this power plant.

    Instead of drilling into a natural hydrothermal system, Fervo dug into rock that is completely dry and effectively created an artificial hot spring by pumping down water that returns to the surface much hotter.

    That strategy piggybacks on hydraulic fracturing techniques developed by the oil and gas industry. Fervo drilled two wells that each extended more than 7,000 feet down before turning fully horizontal. It then connected them by fracking, producing cracks in the rock that connected the two boreholes. Water enters one borehole cold and exits the other at a temperature high enough to drive turbines and generate power.

    Fervo announced that its experiment had been a success this summer after a monthlong testing period that saw temperatures at the bottom of the boreholes reach 375 degrees Fahrenheit (191 C) and enough water torrenting through the system to produce an estimated 3.5 megawatts of electricity.

    It’s cool to hear we’re trying different kinds of energy. Nevada has always been a testing ground for things whether we like it or not, and this is one I like more than usual.

    That said, using fracking to connect the shafts sounds scary to me. I don’t think it’s a rational scary? I’m not sure what the risks of fracking can be in other contexts, but I’m sure that this is creeping me out because I’m imagining some Junji Ito scenario where I get shot through these cracked rocks. The hole is mine! It was made for me!

    ~

    Deadline reports that Disney is up to the usual garbage where it takes every excuse possible to hoard money, which they especially love doing to writers. Where are the dragonslayers when you need em?

  • Rory Links

    Rory’s links #2: A darker side of the moon

    Cloudy, dark day today. The Northern Hemisphere decrease in sunlight this time of year is really punishing; no wonder there are a few festivals featuring lights around now. I just wish we pushed it into January and February.


    Links

    1. World’s richest 1% pollute more than the poorest two-thirds, Oxfam says: It’s impossible to talk about climate change without talking about wealth inequality and labor exploitation:

    “The super-rich are plundering and polluting the planet to the point of destruction, leaving humanity choking on extreme heat, floods and drought,” Oxfam International’s interim executive director, Amitabh Behar, said in a news release on Monday. He called for world leaders to “end the era of extreme wealth.”

    If you want a specific example of mega-rich pollution, the Guardian has a look at private-jet emissions for 200 celebrities since the start of 2022: “Jets belonging to entertainers, CEOs, oligarchs and billionaires produce equivalent to emissions of almost 40,000 Britons”.

    2. How to Maintain Mental Hygiene as an Open Source Researcher: This guide is geared toward potential researchers looking into war crimes in Ukraine, but I think the tips have a use for everyone in unmoderated or poorly-moderated spaces online right now. Additional thoughts not in the link that I’ve seen elsewhere online: curate your feeds aggressively, invert the colors on your screen and flip images around if you need to look closely, maybe play Tetris (one study, there are probably more)?

    3. Andre 3000’s new flute album, New Blue Sun, has been making the joke rounds on social media and late-night comedy. I like the album, and I like this profile about the album and Andre 3000’s career from the New Yorker: Andre 3000 disrupts our sense of time.

    4. I’m honestly sharing this one because summarizing can help me understand a topic better: ‘What the heck is going on?’ Extremely high-energy particle detected falling to Earth. Apparently, something like a supernova isn’t strong enough to create a particle like this, which makes it strange enough, but scientists have only been able to trace it back to empty space, which makes it even stranger. (I have also now learned the specific empty space bordering the Milky Way is called the “Local Void”.)


    Videos

    (Remember, if you prefer to read over watch, you can read transcripts on YouTube! See my first link post for more.)

    1. Why Dark Side of the Moon Still Matters by Polyphonic: This is the joined-up, hour-long version of a video series Polyphonic did on the Pink Floyd album The Dark Side of the Moon, which is one of my all-time favorite albums and a moving treatise on life, death, and modernity (in the ‘70s, but it still works). The video is a beautiful blend of visuals, audio snippets, lyric and musical analysis, and production review. Even if you don’t feel like watching the video, consider giving the album a spin.

    2. Three Specific Kinds of Terror by Jacob Gellar: An overview of horror as seen in the games Amnesia: The Bunker, Who’s Lila, and The Utility Room. What do you find more horrifying, how the gargantuan size of the cosmos renders choice meaningless, or having to live with the consequences of your own decisions?

    The video and comments left me most interested in Who’s Lila for two reasons. The game mechanics are largely built in unnatural facial expressions you control, and that, for better or worse, rang a bell with autistic viewers. Other commenters referenced another video essayist, Flaw Peacock, who made a 7.5+ hour analysis of the game. Whether I get to game or long summary first, I added Who’s Lila to my Steam wishlist, and the two “Similar to games you’ve played” listed are Disco Elysium and Phasmophobia. Promising!

    3. I Bought the Same Dress for $4, $30, $60, and $200 by Safiya Nygaard: An interesting look at the unchecked scam ad market on Tiktok (and although it wasn’t the video’s main focus, apparently things are similar on Instagram). Like, this isn’t (just) covering dupes of higher-end fashion design. This is hundreds of ads made from stolen videos, hundreds of fake reviews that steal pictures from Instagram and reviews from Amazon, and dozens of online shops that vanish before you can tell them they sent you the wrong product or that you never received a product at all.

    I’m not sure if the problem here is a lack of vetting or inadequate vetting. Either way, even if Tiktok and Instagram put more work into the process, things are still dire in the ad space as a whole. The video only touches on it briefly, but I was alarmed that Steve Madden (an actual company I’ve known about for decades) used a Markiplier overlay in an ad without his knowledge or consent (Safiya asked him directly). If a personality with his level of fame and clout has little recourse, what about the rest of us?

    4. You wanna see an edit where it looks like Cookie Monster is singing Tom Waits’s “God’s Away on Business”? (Trust me, you do.)

  • sara reads the feed

    SRF 14: Weird traffic, personal brands, late-stage movie sequels

    It’s gotten very cold in my world. I would leave the house slightly more if I wasn’t embarrassed to leave in my snuggly pajamas.

    ~

    Seeing the limitations of my own reach on social media via traffic to egregious is humbling, to say the least. I don’t share all my posts, and I don’t cross-post to all the websites when I do, so I’m only getting samples of what my visibility is like on social media. The samples aren’t impressive, though.

    I keep thinking that little reach of mine is it, end of story, in terms of traffic, unless I decide to advertise stuff or write potentially viral content.

    But I completely did not consider search engines as a source of traffic. There it is in my stats. Search traffic.

    Of course I do not have my stats configured correctly, so I don’t know what searches are bringing folks here. Are they coming because of movie title searches, maybe? I have been watching an awful lot of movies. I also link to news articles by title sometimes, so that might be a source of traffic, but again…no clue. There’s a real easy way to satiate my curiosity I probably won’t do.

    None of these numbers mean anything *tangible* to me, anyway. I’m not monetizing. No ads or sponcon here. I guess if someone performed a statistically near-impossible number of clicks to get traffic from a search engine to this website, then my author website, and then my books that cost money, I could get paid at some point for what I’m doing, but my understanding is That’s Too Much Work And Users Don’t Do That.

    These are the mental negotiations I make with myself to convince myself that I blog into a silent void, and the void is important for maintaining the fun of it.

    I live in perpetual terror of being perceived.

    ~

    The instant I saw the words “gay musical parody of Saw,” (NPR) I ran off to send this article to a queer horror fan friend of mine. I just gotta say…you should DEFINITELY try to be the kind of person who gets queer horror musicals sent to you. What a personal brand. (I get funny animal news and unusual applications for human skulls sent to me, which is also a great person to be.)

    ~

    We are to be punished with a sequel to This Is Spinal Tap. (Variety)

    ~

    The Doctor who got me into the show briefly for one short binge when Eldest was a baby has come back, and now he works for Disney. (Engadget)

    ~

    Ars Technica shared a fun project that allows you to play DOS classics in your browser.

    ~

    Here’s an interview that offers an explanation for the Roswell incident (NPR), which is not as compelling as the line drawn between the rise of UFO conspiracy theories and the alt-right’s obsession with America’s so-called deep state.

    “The foundation of our modern conspiratorial age in our politics begins in the wake of Watergate with UFOs,” Graff says. “You don’t get January 6th and the big lie in the 2020 election without the foundation of those UFO conspiracies in the ’80s and ’90s.”

    ~

    Digby’s Hullaballoo has interesting commentary on the generalized and incredibly personal hostility of Trump followers.

    ~

    Book Riot covers the dystopian nightmare mirror universe of a website claiming to offer a right-wing book fair alternative to Scholastic. Because we really needed to get more right-wing than Scholastic.

    ~

    I’m going to link this NPR article about bat penises with the warning that it’s about bat penises. There’s diagrams. Detailed discussion of bat sexytimes. If you click on that, you gotta know what you’re getting into. But they describe a kind of mammalian intercourse that is…not familiar to me…and although I sort of regret knowing about it, knowledge is power, or something?

    ~

    Lawyers, Guns, & Money tries to understand large language models. It seems they’re not confident in their understanding by the end of it, but I actually feel like this explained things well.

    ~

    They really didn’t need a giant storm battering Russia and Ukraine’s coasts, yet there it is. (AJE)

    More than half a million people are without power in occupied-Crimea, Russia and Ukraine after a storm in the Black Sea region flooded roads, ripped up trees and took down power lines, according to Russian state media and Ukraine’s Ministry of Energy.

    More than 2,000 towns and villages were without electricity on Sunday night and Monday morning in 16 Ukrainian regions, including Odesa, Mykolaiv and inland in Kyiv, as trees were uprooted, power lines snapped and electrical substations failed, leaving almost 150,000 households in the area without electricity, Ukraine’s Energy Ministry said.

  • sara reads the feed

    SRF 13: Subtle deepfakes, Flo, and family

    The horrible drive to mess with Egregious seems to have passed. I can tell my dopamine pathways are no longer hijacked by writing, posting, sharing, and checking stats, which is the kind of small-numbers game that my brain can really latch onto. This is a good thing. I have a lot of plates I would like to spin, creatively speaking, and I don’t especially need website stuff booting other stuff out right now. You know?

    But I do still wanna post in a low-motivation way, which is exactly the right amount of motivation. If all of my interests are in the zone of motivation where I’m like “I don’t mind doing this, but I could do something else” then I’m really happy.

    ~

    I have been reading the news the last couple days, but not really saving articles to talk about. I haven’t had commentary on mind. Holidays are enough of a change from routine that I’m distracted, even if I have literally not set foot out my front door.

    Having family around always helps put things into a more reasonable perspective, somehow. If it’s just me and the news on my computer, I don’t feel like I’m the right scale. A human-sized person worries about life-sized things, like…how’s my sister’s job going? what’s my mom up to? But an internet news-sized person is like, can I please get an update on the preemies who were in Gaza’s Al-Shifa Hospital when the conflict began? why are all systems so corrupt, especially Hollywood and the British Royal Family? why are so many artists so spineless as to support tech billionaires in their whole AI thing? and other things that make my fingers itch for the keyboard.

    I only made a couple crochet-related things the last couple days. A sleeve for my kid, a phone purse using leather strips. Both of these were small and not very time intensive (relative to one of my big bags taking 12 hours+ of hooking) so it doesn’t feel like I’ve been doing it at all. My wrists/arms were killing me. The rest is necessary, I think.

    So I guess it’s back to blogging for the moment.

    ~

    This article about Flo from Progressive (NYT) is more interesting than I expected. I like reading about the strange trajectories artists’ careers can take. I wouldn’t have expected the actress’s life to intersect so much with the sorta NYC comedy circuit I follow, but it makes sense now that I think about it.

    ~

    It’s not exactly the same as we see in America, but this sad story of a Roma boy killed in a police conflict (AJE) and the following protest actions is familiar.

    Very familiar. Tell me if you’ve heard this one before.

    In his testimony, the police officer, reportedly said: “I was shouting for him to open the door, so we could check on him, I had taken out my pistol because I didn’t know who was inside the vehicle and if he carried a weapon.

    “When I opened the car door, he tried to grab my gun. When I realised his intention, I drew the pistol and then I heard the click, I froze.”

    The victim’s brother countered this in an interview with Greek television channel OPEN, claiming the officer hit the window of the car with the gun, pulled Michalopoulos out of the vehicle, kicked him, and then shot him.

    This sucks and I hope they get justice.

    ~

    This longer read from The New Yorker about the life of a pre-Columbine school shooter is more interesting than I expected. Parts of it are incredibly difficult. But the siblings’ relationship is fascinating.

    Before I could ask Kip about his crimes, he brought them up. It seemed that he had been trying for the past twenty-five years to answer one question: Why, exactly, did he do it? Or, as he put it, “How could I have gotten to this point at fifteen that all these things came together—where my humanity collapsed, and I did this horrific thing to people I loved and to people I didn’t know?”

    He mentioned not only his mental illness but also “cultural factors.” Hunting was a popular pastime in Springfield, and guns were part of life in the town, he explained. “It was common in October—deer-hunting season—that seniors would drive to school with their hunting rifles in the back of their truck, just like someone else would pack a cooler for a camping trip. It was very normal.” Kip’s father was not a hunter, but, Kip said, he had owned three guns: a hunting rifle, a pistol he had bought for protection in the sixties or seventies, and a .22 single-shot rifle he had received as a gift when he turned twelve.

    “If you would have asked me ten minutes ago if we had any guns in the house, I would have said no,” Kristin said. She had never been interested in guns or hunting. She added, “Mom was very, very anti-violence. I remember she wouldn’t let you play with G.I. Joes. She wouldn’t let us watch Bugs Bunny—it was too violent.”

    Kip did not disagree, but, he said, “Dad did take me out when I was pretty young and taught me how to shoot.” He added, “Our parents were wonderful people, but I think we had different experiences in part because of gender.”

    […]

    When visiting hours ended, Kristin hugged Kip and left. As we stepped out of the prison, she seemed to be reeling from everything her brother had said. For a while, she was quiet, but as we walked back toward the parking lot she exhaled loudly. “I cannot believe what different childhoods we had,” she said.

    I’m not sure that there is a “typical” mass shooter, but it seems atypical for a mass shooter to have schizophrenia in this way. I’ve only heard other motivations. Out of curiosity, I looked it up. According to Columbia University’s Department of Psychiatry, only 5% of shootings are attributed to severe mental illness.

    ~

    NPR reports on a rising issue. Civilian deaths are being dismissed as ‘crisis actors’ in Gaza and Israel

    The false accusations have spread on multiple platforms, including X and Facebook, boosted by pro-Israel influencers with large followings. Some of the videos on X carry labels warning they are “presented out of context.” But the false claims have still been widely seen, with one video racking up 5 million views.

    Crisis actor narratives have become a standard element of the messy information landscape of catastrophe, from the war in Syria to the Russian invasion of Ukraine to mass shootings in the U.S.

    Sometimes, the claim is that a real victim never existed. Other times, behind-the-scenes movie footage or images of unrelated events are presented as proof an incident was staged.

    But the intent is the same, Ayad said. “It comes out of a defensive posturing: trying to essentially downplay civilian casualties in conflicts of this nature.”

    And that’s why the false claims keep coming. They’re a way of deflecting the horrors of war.

    It’s morbidly interesting that we are still getting a ton of this low-tech social engineering as part of the fog of war, and not so much with deepfakes and AI-generated stuff. The latter is out there; it’s just not playing a huge role. War is an ancient business. The froth of misinformation has been well-honed, and we don’t really *need* computers to make it worse, I guess.

    The link in that last paragraph is especially interesting to me because I’ve seen one of those AI images around, scrolling quickly past things, and never gave it two thoughts. Usually AI leaps out at me even if I’m just scrolling. Would I have noticed if I actually looked at it? What impact did glancing exposure to the AI-generated image have on my sentiments?

    They describe the information environment as “polluted” and it’s wild to get a vague sense of how much I might be exposed to without knowing it. And this goes for all of us. I’m kinda gullible, but probably in an average way. Yikes.

    ~

    Alone Together: An Illustrated Celebration of the Art of Shared Solitude (The Marginalian)

    ~

    Cult of the Lamb is getting a free update! (Engadget)