• Doc Martin (the greatest show ever) Episode Recaps
    doc martin

    Doc Martin s1e1: “Going Bodmin” (2004)

    Doc Martin is the greatest TV show ever made. I can’t tell you exactly why this is true. I can list things that I love about the show, but what about these things makes it “the greatest”? I’m not entirely sure. But I love Doc Martin in a way that I have never loved a show on my first watch-through.

    I adore the titular character, Martin Ellingham, though I initially found him off-putting. You need a keen eye to see actor Martin Clunes’s comic chops through his dour, neurotic, wooden-faced performance as Dr Ellingham. After a time, it becomes clear the only reason this character (who is incredibly autism-coded) works is because Clunes is a genius of physical comedy. He delivers the driest English humor and most restrained-yet-cartoony gesture work.

    Martin is wish fulfillment in a character. He says what’s on his mind and tells people to shut up, go away, etc without a hint of shame. His incredibly logical approach to this batty small town feels a lot like being an autistic person in real life. It’s never quite clear why we’ve left someone miffed when we’re just speaking the unfiltered truth. Martin speaks with thorough medical confidence, which makes it all the more frustrating when he offends an entire village with his frankness.

    The main appeal of Martin, for me, is competency porn. He’s really good at his job, usually. Mistakes can be made, but it’s seldom because he doesn’t care enough. If he realizes someone is in real danger, he cares deeply, and he won’t let go of the case until everything has been handled. Some have said medical shows are the hospital version of copaganda; it gives an unfairly glowing idea of a system that is incapable of producing sleuths who care so much and commit so many resources to any individual case. As someone medically complicated, I like dreaming of a doctor who could fix me.

    Martin alone isn’t enough to make this show The Greatest. It’s a lot of things, big and small, that make Portwenn feel real and keep me returning to its Cornish shore.

    The closest comparison I can make to an American TV show (at least, one that I’ve watched) is Elementary, another 1/3 of my all-time favorite TV shows, along with Bryan Fuller’s Hannibal. Elementary also stars an English lead who is autistic-coded with terrible social skills. They’re both shows oriented mostly toward mysteries, too. They’re procedurals where the central detective isn’t a cop. There’s also a female lead who I find extremely appealing: Lucy Liu in the case of Elementary, and Caroline Catz in the case of Doc Martin.

    Doc Martin is funnier, though, and often less reassuringly predictable than Elementary; some of the episodes sincerely stress me out. But that excitement is part of the appeal too. Hence why I want to review THE GREATEST TV SHOW EVER MADE, episode by episode (if it suits me). I am obsessed, it itches my brain, and I have mentally moved to Portwenn. I’ll send you a post card.

    Please note: All of these posts will have spoilers. I highly recommend watching the episodes before my recaps because the guessing is part of the fun.

    ~

    Episode Recap

    Doc Martin flies into the small Cornish town of Portwenn to accept a new job as the general practitioner (GP). Before his surgery has been prepared, he’s already facing his first medical mystery.

    It’s called “Going Bodmin” in reference to an asylum in Bodmin. The giggling girl chorus that remains *delightfully* consistent throughout the TV show calls Martin Bodmin from the get-go. They’re right, but can you blame him? You can imagine why when he’s losing his cool over the dog in the surgery, the narrow roads, and a town that wants to do everything but allow him to work peacefully.

    The real story here is that Martin hates small-town life, but he doesn’t have any choices. He’s gotten himself driven away from his fabulous London job. The problems from London will follow him everywhere because the problem is Martin. He has to make this terrible town work, because he’s terrible at being human. And Portwenn desperately needs a doctor. The GP preceding him, Dr Sim, left behind a complete mess.

    The medical mystery: Why does an older gentleman have gynecomastia?

    Martin thinks it’s because enboobied Colonel Gilbert Spencer’s wife, Susan, is using way too much oestrogen cream, but when a surfer also shows up with gynecomastia, Martin loses confidence in that theory. There’s some question whether the water in Portwenn might be contaminated–which comes up again later.

    It’s easy to predict the reveal yourself before Martin figures it out because the answer is unspooled from the very beginning. You can see Susan bustling away from her affair as soon as Martin arrives, and her distracted surfer paramour loses his car to high tide.

    You already know the affair is coming long before it’s discovered at the worst possible moment. People love spoilers, especially when they spoil themselves. But you can easily understand why Martin, who is terrible at predicting human behavior, would not understand the mystery sooner.

    Louisa & Martin: Martin and Louisa meet for the first time on the plane into town. Martin does the thing where he stares intensely at a woman until she thinks he’s a pervert, but he whips out a diagnosis that defuses the situation…kinda.

    Louisa Glasson isn’t convinced that Martin is cut out for the village. He’s spent 12 years as a surgeon, who see people as bodies rather than people. And oh *boy* are the residents of Portwenn “people,” not bodies.

    But Louisa begins respecting him when she realizes that Martin was correct diagnosing her with glaucoma. Much like myself, Louisa loves a competent man. She’s soft and generous and expansive this early in the show. She goes from angry to friendly in a snap. Martin’s attraction toward Louisa is subtler, aside from a couple darling moments where he gazes at her through a school window and sees she’s wearing an eye patch. Hey, it’s someone who actually took his medical advice! What’s not to love?

    Worth noting that Martin Clunes has a great pining-face. You can trust me on this one, I’m an expert.

    Also, it might look like Martin is too old for Louisa, but the actors are only eight years apart in age. Caroline Catz is just very beautiful and Martin Clunes is very square-headed.

    The Larges: If you get competency porn feelings from Martin as a great doctor, you will not from the Larges. Bert and his son Al (presumably Albert and Albert Jr) are plumbers who show their dreadful skills in this episode by busting a pipe and flooding Martin’s surgery. It’s hard to believe these two doofy dudes will persist throughout the show, but they do!

    Plumbing is their first of many failed ventures, and you can’t blame Martin for going Bodmin about it. But Bert Large also quickly becomes one of Martin’s access points to the town. Bert entreats Martin to care for the humans who have always been his neighbors, and his working class sensibility is exactly what Martin needs to concede his pride.

    The Assistant: We meet Elaine in this episode, played by legendary evil step-sister actress Lucy Punch. (You might know her from one of my favorite movies, Ella Enchanted.) Elaine is unprofessionalism wearing white girl dreads. She won’t take notes he requests, uses his phone for personal calls, and wants to be paid even when she doesn’t actually do anything.

    Elaine has been foisted upon Martin by the town in much the same way as the dog. He is surrounded by things he doesn’t want. But maybe there’s something here he needs?

    The Auntie: Aunt Joan is introduced in a chicken coop. This is a woman who helped raise Martin when he visited her farm in summertime, and when we see her practical personality (including a quick chicken neck snapping) it quickly begins to contextualize Martin’s personality too.

    ~

    Louisa’s Hair Rating: 7/10. It’s a little flat. Her fringe isn’t at it’s fringiest, either.

    Infuriating Level: 5/10. Martin’s more annoying than the town at this point, but don’t worry, things swing around quickly.

    Episode Greatness Level: 10/10. I just love the Old Man Boobies episode, I won’t lie.

  • White text on a black background that reads "Rory's 2023: Music".
    recaps

    Rory’s 2023: Music

    A sonic recap of 2023! I split my time between Apple Music, Spotify, and YouTube, and because I don’t have my YouTube history turned on, this is more a general glance at 2023 musical highlights than an complete reflection of all my stats. (I did work mostly from Spotify Wrapped and Apple Music Replay, though.)

    Note: Some artists, albums, and/or songs have special capitalization, spacing, or other flourishes that I ignored, mostly because I’d never post if I tried to get them all right. Sorry about that. I tried to get spellings, accents, pronouns, and all things most reflective of identity correct, though; let me know if I missed anything.

    General favorites

    1. Unreal Unearth by Hozier: My favorite new album of the year! I saw Hozier tour Wasteland, Baby! in 2019 because I really clicked with him in that era (and also because he played in town and that basically never happens for musicians I like, heh). Unreal Unearth specifically has a great combination of grand songs and smaller songs, although my favorites tend toward the former: “Eat Your Young”, “First Light”, “Who We Are”, and “Abstract (Psychopomp)”. “Eat Your Young” had one of my favorite music videos of the year, too.

    2. Woodkid: There’s a lot of songs to which I listened that I couldn’t name or even sing along with because I often spend time with Sara while she plays music videos. Luckily, when Woodkid appeared, I knew him already, both from an Assassin’s Creed Revelations trailer that’s basically forever imprinted on my brain and because “Run Boy Run” was everywhere around the same time. In 2023, I think the specific video that Sara had been watching was “Goliath”, but it also could have been “I Love You”. Either way, I dove in and realized that the singles from The Golden Age had connected videos (I love a consistent concept!) and also that the video for “Reactor” was weird and great. Then I made a playlist (which also included “Guns For Hire”, my top Woodkid song of the year), and the rest is history.

    Warning if you go to any of the Woodkid videos: a lot of people talk about processing personal grief in his comment section. (I have a theory some of this is AI because I’ve been seeing this kind of trend in more places, but that’s a whole other topic.)

    3. Calm albums: I’m far from the only person whose playlists reflect necessity nearly as much as my tastes. I have a section for when I need to amp up (with specific ones for work and exercise), cool down (stress, sleep), seasonal purposes (mostly Halloween), and “I need to express whatever feelings are stuck” (this is largely why Hozier and Woodkid were so big this year). As far as new albums go, Andre 3000’s flute album New Blue Sun was an immediate hit for me when I felt like I was at my limit. Massive Attack’s Mezzanine is a long-established classic for this use, too. No particular songs are standouts for me; go listen to the entirety of both, if that sounds interesting.

    4. K-Pop, featuring Ateez and Blackpink: I could point to a lot that happened in 2023 to change my idol K-Pop stance from “listen to a couple songs here and there but try to stay out of it otherwise” to “use basic curiosity to get more cultural context for the industry in Korea”, but one of the most obvious was Blackpink’s performance at Coachella. I try a lot of different music at Coachella, but they were the only ones to make a real presence on my top lists this year.

    Still, the real story was me randomly clicking with Ateez in December this year; they made enough of an impact at the last second that four of my top ten on Apple Music are Ateez songs, and even if I stopped listening this second, they would also probably have a notable presence on my 2024 playlist. It’s funny because I’m less into the songs themselves than I am their dancing and concept—one reason I’ve never done more than like a K-Pop song here and there is because most acts don’t fit my tastes sonically—but their songs are exactly the energy I need to get me through a shower.

    (Remember my amp-up playlists? Blackpink was my a big part of that playlist for spring-fall; Ateez took over in winter.)

    After I wrote the bulk of this post, but before I posted it, the 2024 Coachella lineup was announced, and Ateez is on it! Nice full-circle moment.

    Top Blackpink songs of the year include “How You Like That”, “Kill This Love”, and “Pink Venom”.

    Top Ateez songs of the year include “Guerilla”, “Bouncy (K-Hot Chilli Peppers)”, “Halazia”, “Wonderland”, and “Deja Vu”.

    5. Olivia Rodrigo: One of the nice things about getting older is that the trends of your youth tend to cycle back in a new (and often better) way. Olivia Rodrigo has a punk edge to her pop, and I love it. Her new album Guts had a lot of smart writing, and “Vampire” immediately made it onto my Halloween playlist because it’s exactly the kind of thing I want for it (either I want vibes or specific monster metaphors, and this has the latter). Top songs include “Vampire”, “Bad Idea Right?”, “Brutal”, and “All-American Bitch”.

    6. Janelle Monáe: One of my all-time favorites always! I saw them* opening for Bruno Mars when The Archandroid was her biggest release, and I saw them headline Dirty Computer when she was touring that album. I tend to prefer her more science-fiction vibes, but 2023’s The Age of Pleasure was perfectly sexy and queer. I could pick out a couple favorites from the album, but it’s short and feels like it’s meant to be listened to poolside, so just go listen to the entirety of The Age of Pleasure and bask in those summer vibes. (*More about her pronouns. I alternated usage here.)

    7. TikTok songs: One of the best ways to find new music these days is through TikTok, but trends will often bring back old favorites or older songs I missed, too! I keep a running playlist of all the songs that have been on there that stick out to me. Some of the top ones that appeared this year include “Kill Bill (Sped Up Version)” by SZA, “Back on 74” by Jungle, “Church” by T-Pain, “Make Your Own Kind of Music” by Cass Elliot, “Angeleyes” by ABBA, “Le Monde (from Talk To Me)” by Richard Carter.

    8. Evergreen rock favorites: Paramore and Fall Out Boy had new albums in 2023, and my playlists reflect these events accordingly, if not in the ways you’d think. Paramore is largely a singles band for me, so I added “This is Why” to my general Paramore playlist instead of really latching onto the album. I liked the new Fall Out Boy album as well, but it mostly reminded me how much more I liked Mania (I am one of possibly two fans who thinks this) and relistened to that a lot too.

    Top Paramore songs of the year include “All I Wanted”, “Misery Business”, “Ain’t It Fun”, “Still Into You”, “This is Why”, “Hard Times”, and “crushcrushcrush”.

    Top Fall Out Boy songs of the year on my lists include “Love From The Other Side”, “Heartbreak Feels So Good”, “Young and Menace”, “G.I.N.A.S.F.S.”, and also basically all of Folie à Deux. I think I listened to Mania mostly on YouTube, so exact stats are missing, but I listened a lot.

    Single song favorites

    1. “Bongos” by Cardi B and Megan Thee Stallion: Kicked off my amp-up playlist for a large chunk of the second half of the year. Between this and the classic “WAP”, I could listen to these two make music forever.

    2. “What Was I Made For?” by Billie Eilish: I was generally unimpressed by the Barbie movie and its larger musical contributions. I was even lukewarm on this song when I first heard it. But I saw the movie, and “What Was I Made For?” was the only thing that clicked for me. Highly rec the song and this Vanity Fair video where Billie Eilish and Finneas talk about writing it.

    3. “Keep Us Connected” from the Star Trek: Strange New Worlds musical episode: I was initially really into the SNW musical…for about a week, before I realized how much work it needed to fully work as a musical and as an episode. Still, “Keep Us Connected” is a beautiful song and Celia Rose Gooding kills it. It’s out of my range, but I try to caterwaul along regardless.

    4. “Hayloft II” by Mother Mother: I love the idea of a song sequel. In “Hayloft” (Nickel Creek’s bluegrass cover is my definitive version), a man discovers his daughter sleeping with a man in the hayloft and threatens him with a gun. In “Hayloft II”, the lover is dead and the daughter’s coming for revenge. Doing the bluegrass cover and then the rock sequel also gives things a sonic change in perspective, as well as lyrical. Killer.

    5. “3005” by Childish Gambino: Another being-in-Sara’s-orbit track. We spent the beginning of 2023 watching Community together, so a transition into Childish Gambino made sense, and “3005” is an interesting take on friendship and aging that’s also catchy as heck.

    6. “Black Sheep” by Brie Larson: I had a couple minor Scott Pilgrim moments throughout the course of the year, and I believe 2023 was the first time this specific cover of Metric’s song made it to Spotify. Either way, a bop.

    7. “Pulaski at Night” by Andrew Bird: This song, on a fanvid for the TV show The Bear, inspired me to make a playlist specifically of songs I like from fanvids. Big Chicago vibes.

    8. “All the Way to Reno (You’re Gonna Be a Star)” by R.E.M.: A couple years ago, “Everybody Hurts” was not only my biggest R.E.M. song of the year, but my biggest song of the year period. That “All the Way to Reno” won the first but not the second is a positive sign for my state of mind, I think.

    9. “Grapevine Fires” by Death Cab for Cutie: This is an old favorite that comes back into rotation regularly, often when it’s a bad year for wildfires and smoke. 2023 wasn’t bad in my geographic area, thankfully, but this is also just a good song.

    10. “The Loneliest Time” (feat. Rufus Wainwright) by Carly Rae Jepsen: Do I need to explain that Carly Rae Jepsen makes bops? Probably not. Rufus Wainwright was a big artist for my early 20s, so the combination was really good for me.