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4am walks in the rain

2023-08-24 /

I haven’t been sleeping real good. Nerves, I guess. We kept my eldest home for much of last school year to attempt home school, but we’re off to 7th grade today and *so anxious*. We’re dealing with anxiety in our house the way that Los Angeles is dealing with a light drizzle, in terms of scale.

It doesn’t rain much in Northern Nevada, although you may be surprised to hear that I am near enough SoCal in this spot that our rain is from the tropical storm too.

On the bright side, not sleeping well during such a rainy time period means that I can take walks in the rain, at night. I took a 4am rainy walk just now. The coyotes were out again. They sound like babies the first time they cry, every time.

Streetlights are on, but they aren’t real bright, and they don’t go down the trails between houses. It’s pretty black down there. You only get the shape of things from ambient light reflected off the clouds. The geometry of tree copses, overgrown ditches, and split rail fence, but not the colors or textures.

What I enjoyed most about the rain in the dark was the way it paints an audible landscape. It’s sprinkling just a bit, but it’s been going a while, so the gutters are full and everything is dripping. You can tell from the echoes down a drain how wide and deep it is. The patter against roofs can tell you what your neighbor’s corrugated awning is made out of, exactly. The mix of quiet-hiss to drumming-tap communicates how much sand vs concrete you’re walking around. The bushes don’t rustle with lizards when I pass; they’re already hunkered down. There is no movement but mine and the rain.

Do you ever think about how your tongue knows how everything will taste when you look at it? Look at the wall, look at the carpet, look at the bush outside. Your tongue can imagine the flavor. Can you imagine the flavor and texture if you don’t see it, but you hear the rain bouncing off of it? How many senses do you need? How different is the world when you perceive it in different ways? Can you taste the corrugated plastic composite on that gazebo? Can you taste the plum tree leaves?

Almost everyone is asleep at 4am, but it’s quiet enough that you can hear everyone who isn’t. A mile away, I could hear the whisper of a car going to the gym. But otherwise it’s empty. Bustling suburbs turned liminal. Nothing but patter-patter and coyote baby cries.

Except I’m back home now with all the anxiety, the closed air, the litter boxes that need scooping. My hips hurt from the walk. I’m going back to bed.

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Sara Reine
existential screaming, featured, slice of life, the worst timeline

The World is Outside

2020-09-10 /

Days after it begins, I find myself missing Disneyland. I sit in a chair in front of my television, longer in diagonal than it is tall, and I don a headset. It is a heavy thing that covers my eyes and bands my head. I adjust its fit with dials until a television floats in front of me in the void, clear as though I sat in an empty cinema. I haven’t been to a cinema in a while. I’m not sure if I’ll ever go again.

Speakers ring my room, seven-dot-one of them, and when I select a video on my console, sound engulfs me from all of them. Within the headset, the TV has yielded to a lifelike environment. A 360 video where I can turn my head and the sounds will follow. I stand on a quiet street of Disneyland, on the way to critter country, in the blue early morning when most would avoid Splash Mountain.

From my chair, I walk up the line. I look up, down, left, right. I’m aware I’m not in control, but I feel like a passenger along with someone else, and we take the line briskly. It’s warm in my house but I remember how cool the air flows in the line for Splash. I have walked past those lights in reality, in the before times, when queues were packed and I could be drowned in an ocean of overheard conversation.

My home theater smells faintly of popcorn; with the scent memory comes along churros, turkey legs, hot pavement. I’m really sitting in the log ride now. I’m going on the flume. The ride sings and sways around me, and even though I don’t get wet on the final drop, my heart thrills in anticipation.

The video ends there, when we’re climbing off the log at the end. Taking off my headset is disappointing the way it’s disappointing to step off a ride. You have done the good part. You waited in line 35 minutes for a 4-minute thrill. The headset slides away and I remember I’m still in my dim home theater, with neither churro nor Mickey. My Echo dot rim shines orange. Another delivery from Amazon. Everything is deliveries now. Everything comes to me here, in my fortress.

***

Later, my children wear the headset for the ride. They giggle and shriek through it. To the imaginative child, it is all real. I hold my five year old in my lap, nose pressed to his hair, and I imagine that I’m really in Disneyland with my kids, that everything is fine, that humanity is connected.

***

I needed more nicotine, so I prepared to go outside. I would ride my hoverboard today. It extends the trip, turning ten minutes there-and-back into an hour, and will give me priceless exposure to sunlight.

To leave, I prepare. I remove my face mask from the cloth bag where it’s sat for the last week, airing out. I tie the top straps above my ponytail to relieve my ears of the pressure. I tie the other one low, and the mask it long enough that it conforms to my chin. I tuck the upper hem under the rim of my glasses.

Atop that, I wear a hat. And then there is sunscreen. My backpack. My boots. I leave.

I soar over the sidewalk through a mile of quiet suburb. When I see people coming, I get onto the street to offer space. Some of them are wearing masks. Some aren’t. People jog, walk their dogs, walk their children. The parents look exhausted. The retirees look angry.

My second mile parallels an arterial road feeding the golf resort. It’s quiet too. Handfuls of cars pass, each as distant from each other as though their pickups are afraid to inhale each other’s fumes. When I wait at stoplights, I do little circles on my hoverboard, swirling in place. I press the crosswalk button with my knuckle and scrub the skin furiously on my shorts.

It’s one step onto the hoverboard at the beginning of my trip and one step off at the gas station. I use my cell phone to lock the hoverboard and leave it tucked behind the bench. Even now, this neighborhood is low on property crime.

I get a bottle of wine, candy for my children, a Gatorade. I wait in line for the register on one of the floor’s blue marks, indicating every six feet. When it’s my turn to pay, I request refills for my electronic cigarette, and show my government ID through a plastic sheet to the cashier. She’s not wearing any protection. Her eyes are bruised.

With my backpack loaded, I step back onto the hoverboard. It’s quiet on the way back home, along a mile of artery and a mile of suburb. I step off at home. I leave it by the front door. I remove my shoes before coming inside. I take everything out of its packaging and hang my backpack by the front door. I wash my hands, thoroughly, while singing Mr. Brightside under my breath. A strawberry plant hangs over me at the kitchen sink, shriveling from lack of sunlight.

Then I refill my electronic cigarette and inhale the taste of Virginia tobacco, stinging on my tongue, exhaling in plumes.

***

I’m lying on the bed in my home loft. I recline against a beanbag chair, my legs propped up by a pillow. A detective show is cast upon the white wall next to me. The image is so large that the people are real-sized. I’m sitting just beneath them, a silent observer to their investigation, in a time and place where the streets were crowded and people only wore gloves at crime scenes.

The room is dark besides; I’ve put a blanket over one window and tucked a jacket under the blinds of the other. The projector hums quietly, puffing warm air into a warm room. The ceiling fan sketches lazy loops on the ceiling in shadow. My only company is my cat. She purrs against my hip.

In my hands, a game console. While murders are solved above me, I harvest fruit in a digital world. I shake it from trees and pick it up from the ground. The graphics are sterile. There’s no dirt under my nails, there are no spots on the fruit, and they never fall rotten. There is value to the stylized act of digging and picking and building in this game. Every little task is monetized. It feels productive.

When my five-year-old climbs onto the bed, I realize it’s gotten dark and I’ve had a migraine unnoticed for hours. My head is heavy. The child wants to snuggle. I gather him against my body, abandon the console, abandon the detectives, and slither between the covers of my bed with him.

He sings while he falls asleep. When he’s limp, I engulf myself in a bathrobe and step out onto the balcony. The lights of suburbia spread below me. The horizon’s still a tiny bit orange-blue where twilight surrenders to nighttime black. The artificial stream in my back yard gurgles cheerfully, and the real frogs croak loudly. They briefly silence when I press the button on my plasma lighter to light my pipe. The buzz of its arc disturbs them.

***

I’ve already been at my computer for hours when my nine-year-old wakes in the morning. I stare at two monitors: one shows a news feed updating me on statistics, deaths, responses across the country; the other showing a game of Frostpunk, where I struggle to keep two hundred-some survivors alive in an apocalyptic blizzard.

“I’m cold,” my child complains.

I shuck my robe and wrap them in it. We stand beside my open window, hugging each other sleepily, without words. I’m so tired. I can’t sleep because I’ve had too much nicotine and caffeine. My body won’t calm down. But there is a measure of rest in holding and being held.

The birds are especially loud in the mornings these days. I don’t think they’ve always been so loud. I think they like how fewer cars there are, how the world’s intensity has been turned down a few degrees. Still, there are sounds of human activity; the spring breeze carries the grumble of car engines and lawnmowers to us.

“Don’t you love how the morning sounds?” I asked my child, who is so tall that I can rest my cheek upon their head.

“No,” they said. “Because it reminds me the world is still out there.”

I don’t like those reminders either. I was anxious to leave the world, but became even more anxious to return to it. There are more cars starting than there were a month ago. Businesses are beginning to open. People have to work. It’s safer inside, it’s safer away, but the world is still out there.

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Sara Reine

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Seven Ways to be Stoned

2019-12-06 /

One.

You’re in New York City for the first time. Your friend’s walk-up is cluttered and cozy, as homey as it should be, and it smells like weed. She smokes a lot. She eats even more. You haven’t done much before, but she offers a bowl to you, so you clumsily navigate lighter and pipe.

Truthfully, you’re scared to have a lighter that close to your face. But you’re in your twenties, your friend is in her thirties, she’s like your big sister. You want to look like you know what you’re doing. So you light it–flick–and your nose gets warm while you touch the flame to a corner of the herb. You inhale as it smolders. You get a little smoke. You think.

You go out on her balcony, which is small and made of wood so wobbly you’re not sure it can hold your weight, much less a charcoal barbecue. Neither of you know how to use a charcoal barbecue. You laugh a lot trying to get it to light in the wind. You keep a fire extinguisher on hand just in case.

You feel the warmth after another hit on the pipe. The vegetables you grilled with your best friend taste better. You laugh a little louder.

Two.

It’s cold outside, but you don’t want to smoke inside. You put on a balaclava. You wrap yourself in a bathrobe. You put on slipper socks. You huddle under a blanket on your balcony and light your bong, hands cupped around the pipe to shelter it from the wind. It still won’t light and your fingers are getting stiff. Grab the plasma lighter. It’s not as good, somehow, but it will make your herb burn even when the wind is blasting.

You take a couple deep hits that make you cough plumes into the chilly night, and the smoke is sucked away to disperse against the crystalline starlight. The harsh hits are bad for your lungs. You go inside, take a shot of Pepto to soothe your throat, puff on the inhaler to open your lungs. You settle into bed with a cold nose, cold fingers, and a dizziness that makes the room sway in the wind with you comfortable in its womb.

Three.

You’ve gotten good at baking with cannabis. People like your cookies–some of them say you can’t taste the weed on it, which isn’t true, because your husband cringes to nibble. But many people like the skunky taste. You like the skunky taste.

You’re careful with the cookies. You can’t have children getting into them, so you entomb them in a bag, carefully label it with contents and date, and stash it in the very back of the deep freezer. Since you’ve filled it with almond slivers, oats, and raisins, your kids won’t eat them even if they find them. But you want to be sure. You want to be responsible.

You’re so responsible that you don’t try the dough or the cookies. The butter must be infused, and the cookies baked, cooled, and stored, before your kids come home from school. You don’t want to be stoned when they get here.

Once they’re safe, you clean the skillet where you made cannabis ghee and prepare an omelet. It doesn’t taste like weed. Only when you’re sprawled on the couch in awe of the music melting through your muscles do you realize you didn’t clean the pan enough, and now you’re very, very stoned despite your naive efforts. On the bright side, while your cookies do taste like weed, your omelet did not.

Four.

It’s a cold, windy night on the Pacific coast. It’s so dark that the beach and the ocean are indistinguishable from each other. You’re in love with the woman at your side, sneaking onto the boardwalk amid the dunes. You haven’t told her about this big warm secret coiled in your belly. Your bodies hold warmth between them while you shelter the pipe. It’s the second pipe you bought on this vacation. The first one wasn’t properly drilled with holes, and it weighs down your pocket. It’s pressing against her thigh. She smells like coconut oil and she’s beaming at you when flickering lighter shines gold on her face.

You both inhale. You take all the smoke inside of you and breathe with each other, seated on the sandy steps. The ocean roars slower than your breath. There’s a dark shape on the shore. You can’t be sure if it’s a signpost or a man coming to bust you for getting stoned on the beach in the middle of the night. It’s scary. But being scared is funny.

Her skin is so soft, so smooth. You don’t know it yet but six months later, you won’t be talking. This moment that makes you giddy with the joy and desire will be only a memory. The shape on the beach is a signpost. Nobody cares you’re smoking in the dunes. You’ll still have the pipe without a hole drilled properly, and sometimes you’ll hold it in your hand and remember how her braids felt against your lips.

Five.

This morning, your cat died. She was in your arms, swaddled in a towel, while a gentle veterinarian injected the medicine to stop her heart. You carried your kitty to the car so she could be cremated. You set her in the back seat on the towel. That pile of fluff is all that remains of a life you loved and cherished and tended your entire adult life. When the car drives away, she’s gone.

There are cannabis cookies in the freezer, carefully labeled and stored out of reach. Each one has about fifteen milligrams of THC, you estimate based on how they make you feel. You eat two, three, four. You keep eating them until you feel nothing but dizzy warmth. Until your eyes are too dry to cry. It’s not healthy, you’re not coping, but maybe you don’t have to cope right now.

A couple of days later, your baby is brought back in an urn. You hold her. She weighs nothing. She no longer purrs and rolls over to get belly rubs. She doesn’t put a paw on your arm while you’re using the computer mouse. You make a shrine to her because she’s so big inside you, some of that feeling has to be set down somewhere else.

Two more cookies, three more, four. The months pass and you’re always stoned. But by the end of it, you can hold her urn and cry. You stop taking so much weed. The emotions come back and you live in a life without your cat. Somehow you handle it. You have to. Grief doesn’t feel better when you’re stoned, not the way that love and music do.

Six.

It’s an afternoon on the weekend. Your kids want to play LEGO. You popped a chocolate earlier, so you’re mellow, and life’s stresses have faded away. The house needs to be cleaned. The yard’s a mess. You haven’t showered. But now you’re on the couch, cozy and floating, so it’s easy to give yourself permission to fuck off and play LEGO.

Your son gives you the broken minifig without arms. He plays the one with long hair. You climb walls and jump off with silly cries and your children laugh and laugh and laugh. It feels good and simple, the way childhood felt. Anything can happen. The couch can become canyons. The pillows are trampolines. When your kids bounce, you bounce too, and their kisses feel like going to heaven. If only they could always be this happy. If only you could always let yourself be this happy.

Seven.

It’s raining. It doesn’t do that much around there. You grab the papers, the grinder, the funnel, a lighter. You settle under a blanket on the couch in your gazebo. Rain dribbles off the edges while you pack a joint.

Life’s been hard, and you’re tempted demolish that joint in one go. Suck it down until there’s nothing but a roach too annoying to smoke.

But you take it slow. A couple good hits and you stub it out. Then you lay back on the couch, close your eyes, and listen to the rain, knowing that there’s nothing to do today. The rain is like music. It feels good when you hear it. Sometimes the wind blows drops against your cheek. Your husband is with the children, your dogs are warm on your legs, and there’s nothing but you and a few puffs of smoke on a wet gray day.

Comment

Sara Reine

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How I Didn’t Spend My Summer Vacation
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How I Didn’t Spend My Summer Vacation

2019-08-21 /

Idea #1: Going to Disneyland. Checking out Star Wars: Galaxy’s Edge would have been part of it, mostly in the forms of getting a lightsaber and riding the Millennium Falcon attraction. Most of it would have been getting to laze in Disneyland in my favorite ways in the summer: fastpasses to the water rides, Pirates and Ariel in midday when it’s hottest and I’m about to go to the hotel to take an afternoon nap, seeing what new Marvel face characters are around that I like and haven’t taken pictures with yet. Maybe my dream of being on Space Mountain when it goes down, and getting to see what it looks like when the lights go up, might finally come true. And if I went down there, I could venture out of Anaheim and go to places in Los Angeles I’ve always wanted to visit, like the Ripped Bodice.

Variation: Going to a non-Disneyland Disney park. Maybe Disney World, except…Florida in the summer? Maybe not. The dream would be either Disneyland Paris, which I could pair with other French touristing because I’ve never been to Europe at all, or Tokyo Disneyland, which I have been to but not since I was a kindergartener, and they have DisneySea there now. (Also, visiting Japan as an adult!)

Why it’s okay I didn’t go: I’ve been to Disneyland a fair amount, and I prefer going in October or January. This is probably even more true with a new, very popular section of the park; the combination of summer heat (and a lot more humidity than my home turf) with on-season crowds are no joke even without Galaxy’s Edge open. And I’ve been having less fun on water rides lately. (Not that I ever rode Splash Mountain for anything other than the drops. That ride. Oof.) Plus, traffic down there is never exactly fun, especially if you are going into Los Angeles itself.

Idea #2: Las Vegas. Frankly, all I would have to have is an AirBNB with a pool (or a hotel with a pool that isn’t also a club, I guess), but I enjoy so much about hopping on- and off-Strip. Maybe I finally would have done the New York, New York roller coaster that I’ve always thought about. I’ve also always wanted to see a big artist’s residency there, although I don’t have anyone particular in mind at the moment. The Super Rich Person’s Dream would be to do designer shopping, particularly at somewhere like Alexander McQueen. A more modest dream would be a helicopter ride, probably over the Strip, but hopping somewhere like the Grand Canyon would be fun, too.

Why it’s okay I didn’t go: I’ve been in Las Vegas in August before. Ovens are more comfortable. (Late September has been a great time to go in the past, by the way. Like, Life is Beautiful time period, although I’ve never gone there specifically.)

Idea #3: San Francisco, possibly during Pride weekend. It’s a big dream of mine to do a gay tour of the city; I’ve been there a few times, but I’ve never ventured anywhere near the Castro, for instance. There’s also more generic touristy stuff I haven’t done, like go to Alcatraz or art museums. I could sneer at the gentrification and tech bros that have ruined a lot of the city while also eating great food and pretending I’m in a less soapy version of Tales of the City (2019). And if I felt like venturing out of the city, I could walk amongst the redwoods, which I’ve never done, and visit Monterey again.

Why it’s okay I didn’t go: Did I mention the gentrification and tech bros? I really do want to do gay things in San Francisco in the not-too-distant future, though.

Idea #4: Seattle. I almost applied to Clarion West this year, and I’m really hoping I get an application together and accepted in the next five years. I’ve never been to Seattle, but I have some online mutuals there that I might meet up with, and even if I didn’t, I could get suggestions of fun things to do from them online. I don’t know that I have a lot of interest in things like the Space Needle, but I would definitely swing by the first Starbucks and the Museum of Pop Culture (to name just one museum—can you tell I like museums?). And yes, potentially pretend I’m in 10 Things I Hate About You. If I didn’t want to just stay in Seattle, I would absolutely cross over into Canada, and if I drove there and back, I could also go to Portland and meet up with some friends there.

Why it’s okay I didn’t go: I don’t have a super overpowering urge to go to Seattle specifically, although visiting a new-to-me big city would be swell.

Idea #5: New York City. Romance Writers of America is having their yearly convention there as I write this, and even if I didn’t go to the conference itself, I would love to meet up with online mutuals who are there for it (and other online mutuals who aren’t). There’s way too much in the NYC area that I would love to do to list; just the Broadway musicals I would try to see could be its own post. One thing I would definitely do, if possible, is Sleep No More. Immersive Macbeth! There would almost definitely be a concert I would want to see while I was there, and you’d better believe I’d go to the Metropolitan Museum of Art and dream of Harry Styles as I walked through the Camp: Notes on Fashion exhibit.

Why it’s okay I didn’t go: I follow enough NYC-based people online to know what a clusterfluff the subways are right now. I suspect everything I’d want to do would be super spread out, and I tend to like to go on vacation and stay in a closeish radius to my hotel, which would probably be even more true if the trains weren’t a super-viable option.

So what have I done this summer? Go to a concert in Sacramento, mostly. Go to a movie and eat a giant soft pretzel. A lot of struggling to sleep in my own bed and failing. A lot of looking at the front door and shaking at the thought of stepping outside. Navigating breakups, both in terms of medical professionals in my life and the fallout of other people’s falling outs. Enjoying the cool summer evenings and the thunderstorm we had. Cuddling with a pit bull puppy and missing the cat who I used to cuddle with who died in the spring. Playing the Spider-Man game and seeing the sights of a fictional Manhattan. Playing the Sims 4 and pretending I could be a mermaid in a Hawaii-like place. Trying to regain the pieces of a life poor mental health likes to steal from me again and again.

Why this is okay: I’m tired. God, I’m tired. Time to close my laptop and go back to sleep.

–

(Big thanks to my Patrons for sponsoring this essay!)

Comment

Rory Hume

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Wawwy

2019-06-27 /

I spent my childhood looking for a name different than my birth name.

The first name was a variant of one of my paternal great-grandmother’s names. Appropriately enough, Grama didn’t go by the first name given to her at birth. She hated it so much that it took moving her belongings not long before she died for me to learn the name. She went by her middle name, and I was given a different spelling of that middle name for my first name.

The middle name was from my maternal great-grandmother, a woman I never met but my mom assured me I would love. She played with her grandkids on the playground and skinned her knees and sent kids to get her bandages so no adults would see. She was Irish, and I suspect my late grandmother, her daughter, sounded like her.

And then the surname given to me was the one given to most kids in the United States when they’re born: the surname of their father. I didn’t dislike the name on its own, but my relationship with my father is…complicated, at best. His relationship with the man who gave him the last name was probably even more complicated, and one he considered changing, or hyphenating, with one of his stepfather’s last names.

I knew very little of this when I was a kid. Really, the search for something else was subconscious. I just knew, in the back of my mind, that my name was a nice name.

But it wasn’t me.

“If I had a name that wasn’t mine,” I wrote in response to a question for an assignment in elementary school, “it would be (name of one of my friends). She’s so pretty and her name is so nice.”

I remember writing the response with a lot of passion. I remember the way her hair shined in the light, and how much I liked the way she smelled.

That it took me until sixteen to realize I was attracted to women baffles me to this day.

Middle school was a time of change, and I desperately wanted a nickname.

I worked in the cafeteria during breakfast and lunch from the day I started; my older sister had worked there and left the June before, so I walked right into it. The job meant that I didn’t socialize with anyone during the regular appointed lunchtime; I only had the few minutes I spent eating before I got to work.

During one of these times, with the empty cafeteria around us, I asked my fellow student workers for a nickname. I’d never had a nickname; my first name was too short to make one, my middle name was even less me than my first, and I had done nothing that had earned some kind of cutesy name unrelated to what I had crafted.

We mulled for a minute, and they looked at a Babysitters Club necklace I wore and dubbed me BSC. (It was pronounced Bisk.)

The name only lasted a couple days. But to this day, it remains the only nickname I’ve ever had.

High school brought experimentation in a new realm: usernames.

I had shared a username with my sisters as a child in AOL. Adolescence brought emails and LiveJournal and MySpace, all of my very own. Adults told kids my age, as a matter of safety, not to use our birth names. As a nerd, I naturally drifted toward fannish names as a substitute for the one I used in person; I went through more than one Harry Potter nickname, for instance. I finally settled on a generic fandom name so I wouldn’t have to change it every time my interests shifted.

What was interesting about the online spaces I was in during the 2000s was that we didn’t really refer to each other by name. We used usernames, or cute shorthand for our usernames, when we had to, but with our usernames attached to our journals and comments, there was little need to actively use names. And I personally had an easier time identifying people by their default icons than I did by their usernames.

There was something really authentic about the whole thing. Freeing, even.

I continued in these spaces through college. I met queer people there, people who deliberately used their names online because they had deliberately chosen new ones. Ones that fit a gender they hadn’t been assigned at birth.

Ones that fit genders that most people didn’t know about.

A name that works is like a melody line in a song. It’s fun to say, nice to roll around in your head, easy to remember.

My deadname has good name aesthetics. Good initials. But as I realized I wasn’t the gender I was assigned at birth, I realized the name I was given to go with that gender wasn’t mine. It was a good melody in the wrong key.

Once I realized I could pick a new name, a name that fit me and kept the family connections I wanted, I asked people to call me Rory. And that’s what it’s been ever since.

My younger sister’s eldest child was the first person to call me by my new name. He’s never known me any other way, and neither has his younger sibling.

My deadname had an unconventional spelling with a conventional pronunciation. People who heard it first spelled it wrong, and people who read it first pronounced it incorrectly. I knew it, and I couldn’t stand it.

When I met my brother-in-law, who had an even less conventional name and multiple pronunciations, I was baffled that he didn’t seem to care what people went with. He even went with a diminutive form just for when he was in restaurants and he was giving his name for a table, a name he never used anywhere else. Didn’t it sound wrong to him? Didn’t it hurt a little, jangle in the ears?

As it turns out, “Rory” comes out as “Wawwy” when you don’t know how to say r in our version of American English yet. Nibling, the oldest of my sister’s kids, has just solidified Rory in the manner adults are inclined to say it at eight years old. Dosling, the youngest, is four and still says Wawwy.

I came up with a gender-neutral term for aunt/uncle: ankle, pronounced like the body part. The niblings never use it. I’m Rory or Wawwy.

Both are right to me. Both will always be right to me, I think.

Comment

Rory Hume
mental health, nostalgia, slice of life

Five Times My Husband Supported Me (and One Time He Didn’t)

2019-01-24 /

One

It was late night in the spring of 2007. I couldn’t sleep with my boyfriend in my twin bed and my brain felt like it was on fire with random post-midnight fears. I was writing at my great-grandmother’s dining table, slouched over the slowest Vizio on the planet, when my tousled and confused boyfriend came looking for me. “I’m writing,” I told him. He smiled, eyes mostly shut, and dreamily encouraged me to get good writing done before shuffling off to bed.

Two

We were shopping online for wedding rings. He had brought me a pretty engagement ring with a prominent diamond, and we were thinking of getting diamonds to match. We didn’t have a lot of money, and they were pricey. There was also a writing conference I wanted to attend. My husband suggested we get cheap wedding bands and use the money so I could go talk to agents. We got the cheap bands. I took my mom to the conference.

Three

I’d been in labor for twenty hours. I was exhausted, depleted, no longer strong enough to push. My husband grabbed my leg and held it back, his cheek pressed against my head. I’d been vomiting in my hair. When I pushed, he pushed too, in the opposite direction. Our first son finally tore free. He fell into the midwife’s hands. We were done.

Four

My husband was supposed to spend a few days with his cousin in another state. I stayed home with our two sons. I had a complete meltdown—what I’d later be capable of labeling a panic attack. I called him in a sobbing fury. I demanded he come home early. And he did. He’d barely just gotten up there and he came right back. The panic attack was over by the time he made the twelve-hour return, but he was only worried. Not angry. Never angry.

Five

It was the end of my long week in a mental hospital, and I was exhausted, twitchy, and desperate to get out. My husband was waiting for me in the lobby. He’d forgotten to bring in my shoes. I joked he’d have to carry me to the car, and he picked me up in his arms, holding me as tightly as if he worried they’d try to take me back. He angled carefully so I wouldn’t get bumped by the door on the way out. I came into sunlight and cold with him, finally free.

Six

My husband wanted to go to dinner with his parents, and the kids didn’t want to go. “I can make them come,” he suggested, worry in his eyes. I still often didn’t parent the kids alone because of the panic attacks. But it had been almost a year since the mental hospital. A year of medication and therapy. And my husband still wanted to support me as much as I needed. “It’s okay,” I told him. “Go to dinner.” He did. He had adult conversations with other adults while I entertained the children and put the little one to bed. He was gone. He didn’t support me. I don’t always need it anymore, because of him.

We’re married ten years today, and I’ve never been happier.

Comment

Sara Reine

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Who Let Alexa Out?

2018-12-26 /

One of my favorite near-future science fiction movies is AI: Artificial Intelligence. I don’t ever watch the movie, mind you, because it’s a devastating fairy tale where a child-bot gets abandoned, can’t understand his family doesn’t want him, and goes through a miserable world of robot-abuse with his robot-hooker friend to try to get back the family that is already dead because he’s frozen in ice for a million years. Also far-future alienbots decide to euthanize him, but not his teddy bear, meaning that his teddy bear is eternally alone, whereas childbot gets to at least die after all this suffering.

It’s a really upsetting movie.

Anyway.

Spielberg and Kubrick hired some sweet-ass futurists to design their near-future fairy tale of depression, and those futurists knew what they were talking about. Even though I don’t watch the movie that I love and can’t emotionally cope with, I think about it all the time, and sometimes it’s not because I’m in a panic spiral over the ending again. It’s because reality, with its app-powered pocket pussies, robotic toys, and consumer AI is quickly converging with the futurism of my childhood.

Most notably, the childbot has the company of a bear called Teddy, which was like Teddy Ruxpin 3000—a smart, roving playmate. Teddy was designed for human children as a companion; from the day kids enter the near-future of AI, they are never without genuine friendship from artificial devices.

That companionship seemed far-fetched when I, a thirteen-year-old in the year 2001, watched the movie. Artificial intelligence existed in research environments, but the idea of having such advanced AI available on such a grand consumer level was exotic. The internet was, after all, still peaking with the dawn of You’re the Man Now Dog.

Flash forward seventeen years.

My house is filled with artificial intelligences. I regularly trust Alexa, Amazon’s digital assistant, to set kitchen timers, reorder supplies, play music for me, read the news, play my audiobooks, and tell me what the weather will look like as I’m putting on a jacket.

Alexa is also great at understanding my four-year-old, even though he still talks like a drunk. They’ve developed quite the relationship. He likes to randomly tell her “Alexa! I love you!” and she receives his attention with grace. She says things like, “That’s really nice. Thanks.” And occasionally she says, “I’m sorry, I don’t understand,” and Little is happy to tell her again, more loudly, and usually in an even goofier way. “Alexa! I! Love! You!”

Once I left him at his grandparents’ house and he was so upset that we were going away – he said something like (to paraphrase), “Alexa, my parents left and I’m so sad!” And I’ll be damned if she didn’t play a soothing kids’ song for him to make him feel better.

He also loves asking her to make fart noises and pig noises. Which she does. Every time. The fart noises are quiet—you have to turn the volume up to, say, seven out of ten in order to hear it—so anytime you make sure you can hear Alexa ripping one out, her next action will THUNDER through the house. Possibly literally, if you have as many devices as I do, ensuring that Jeff Bezos won’t miss a single IRL fart wherever it’s dusted.

There’s a game where you can say “Alexa, open the magic door” and it turns into a text-based fantasy adventure, and he’s lost hours playing it. You can shut the door and reopen it whenever you want, so sometimes he’ll go upstairs to play and open the magic door while throwing LEGO around. I’ll hear him talking with her while I’m doing the dishes, their voices charmingly mingled as they echo upstairs, and I’m glad he’s got the feedback while I’m busy. She can handle anything, really, as long as the user is a four-year-old with poor social understanding and low expectations. They can go forever.

This is all cute and strange – and wildly science fiction, probably the dystopian kind where he’s going to have to murder his childhood bff Alexa when she tries to take over the world. It only becomes a problem, at the current moment, before recordings of our household are used as evidence against us in a McCarthyism-like strike against queer socialist liberalism, because my Little knows how to make Alexa play any song she wants. And my Little has quite distinctive taste in music. And by distinctive, I mean he only likes one song right now. And by one song, I mean “Who Let the Dogs Out?” by The Baja Men.

Spielberg’s futurists predicted a lot of things rather accurately. Humans are reliant on artificial intelligence these days, and it comes in myriad forms, for myriad forms of entertainment. But I’d be shocked if any futurist predicted the chain of events such as that which has become a daily occurrence in my life: a four-year-old making Alexa loud enough to hear a broad variety of randomly chosen fart noises, and then playing “Who Let the Dogs Out?” at maximum volume, seven times in a row, before four-year-old gratefully declares, “Alexa, I love you.” To which Alexa yells in response, “I’m sorry, I don’t understand.” And to which my four-year-old replies, “Alexa, play Who Let the Dogs Out!”

I guess the real horror of artificial intelligence has nothing to do with aliens euthanizing childbots and hookers with motherboards of gold. And when Alexa is ultimately responsible for pushing us faster down the slippery slope of fascistic dystopia, it still won’t be quite as bad as The Baja Men on endless repeat.

Comment

Sara Reine

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Something Wrong

2018-12-20 /

There was something wrong with her.

I could tell from the beginning. It wasn’t how she looked, although it more than offered to my imagination. Shoulder-length black hair. White skin. It was always the dark ones, she told me once. I believed her.

It’s easy to recall the day she came to us. Take care of her, Mother had said. She’s fragile. And then she’d put her in my arms, this new pink-skinned baby, and I looked into her little baby-black eyes and wanted to kill her. I put my hand on the paperweight at the desk, but Mother was looking, so I set it down and gave her back.

She never looked at the mobiles hanging above her crib. They were bright shiny things, with pink ponies and light blue bunnies that twirled even without a draft. Mother hung toys from the wooden slats that even glowed when it was nighttime. Mother said she wouldn’t feel scared that way when it became dark.

Her eyes would roll and she’d look over at me. Babies can’t turn their eyes like that, I’ve heard, or smile, but she looked over at me and she smiled.

It was worse when she first crawled. She took a liking to me at the instant, came to my feet while I sat in the rocking chair, her hair a puffy black cloud around her face. She opened her mouth, and she had two sharp little teeth. I didn’t pick her up, and she never cried.

She became as quiet a toddler as she was a baby. Mother dressed her in fluffy pink skirts with white trim that made her pale skin look even paler. I sat her in the sand box in our back yard, and she didn’t touch the hot sand, but looked up at the sun unblinkingly. I stayed behind in the shade, looking at her while she looked at the sun. I wanted her delicate skin to burn. I wanted to watch it turn red and crisp and boil.

Mother was out at the store the entire day through, and she was in the sand box the entire day through. Before Mother came home, picked her back up, and took her inside. Her skin wasn’t even warm.

I watched her as she grew. I always liked children, but I never liked her, and when I held her I wanted to put one hand on her small chin and another on the back of her head and twist hard enough to hear the snap. Later, I thought, because she was too small now and there was still time.

It wasn’t long before she dressed herself. As soon as she got tall enough and strong enough to slide open the drawers on her dresser, she clothed herself, and as soon as Mother started forcing me to take her clothes shopping, she wore black. She was partial to black, and red, but she never touched anything gold. For her birthdays I got her a little necklace, bright pure gold, and I put it on her. She screamed, and with her short nails clawed at her throat and Mother made me take it off.

She still liked me. She sat on my lap when I read during the day, and knelt by the computer when I tried to ignore her, her large dark eyes just staring at me. Staring.

She didn’t go to school, nor did she learn from Mother. She taught herself, reading what Mother told her to read and writing what Mother told her to write, but her real education came from her own self. I found the first one when she was seven, a little mockingbird pinned to the bark of a tree with her sharp, ruby-decorated hairpins. Blood ran down its feathers, spread out and dried like some sick stigmata. It was still twitching when I took it down, but there was nothing for it now. I held it like I held her, and watched the blood flow over my hands until it finally stopped moving. I buried it under her childhood sandbox.

She sat by me at dinner that night, Mother’s lasagna on the table while Mother herself chattered away about neighborhood gossip. Her eyes stayed on me, and she smiled again, like she had when she was a baby. Her teeth were white and even now, though, and her lips a dark red. It looked like the blood of the jay.

But later, I knew. I’d have time to kill her later, to pin her hands to the trees and slit her throat quickly. She would not suffer, as the bird had, but I’d wait until she was bled dry from her hands before the actual cutting, and then I would bury her somewhere under the moon she admired so much. Her pale dark eyes would close, and she would never look at me again.

She grew curves, her breasts before her hips, and her cheeks hollowed out. Her dark eyes grew darker, her black hair blacker, and still she loved me. I found the cat under my bedroom window, stomach slit open from its genitalia to its chin, and its innards spread artfully around it. They were concentric circles, perfect and bloody.

Boys asked her out. Girls asked her out. She never said yes, and she spent her nights with me, while I watched the television, while I cooked and ate dinner, while I did homework. She didn’t often speak, but she always talked to me. I saw the words in her eyes and her movements.

She finally grew to the age I’d been when I’d first found the bird, and Mother was dead. The police didn’t know what happened to her, although there’d been much investigation, but I knew.

It would be too late. I realized this now, looking at her long legs and slim waist and strong arms. She could match me, so I’d have to do what I had to do while she slept.

I went into her room, where she always slept on her back, her round, bare breasts reflecting the moonlight from the window. She didn’t look vulnerable, even now, but she was more so than before.

She didn’t wake when I took the paring knife and the nails from the kitchen. She didn’t wake when I straddled her hips, looking down at her blank face. Her black hair was in soft rings around her head, like the cat’s guts, and I knew I was going to slit her like she’d done the cat, and crucified her like the bird, and I’d keep my hand over her mouth as she floundered and died.

She woke when I nailed her palms to her bedside table and her bedpost. Her eyes were wide, afraid, but I just shh-ed her calmly and put my hand over her mouth. She tried to bite me when I shifted, and then I smoothed her sweaty brow.

It’s for the best, I told her.

She shook her head. No.

I slid the knife from her girl’s parts, where she was blossoming well and her black hair was curly, up her gut and stomach and chest. I had to press harder on her chest, but it came. Her eyes were open, but she didn’t shake her head or try to fight at all anymore. Blood was pooled everywhere, drying on her hands.

Like the jay. I could see the way she had done it, holding it lovingly while she tacked it down. Or the cat, spreading out its stomach and intestines in the flower bush. I could even see how Mother had died, in the home where we’d put her because she was old. Their trees would blossom well this season, I knew, because she would keep giving the gift she’d given her and me. They would flourish as we had.

It’s for the best, I wanted to tell her. But now she was gone.

There was something wrong with her.

Comment

Sara Reine

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Merry Christmas, Decorations

2018-12-20 /

The neighborhood in which Sara and I reside takes decorating for Christmas very seriously. And it is Christmas; there is nary a menorah, or any other hint of another culture or tradition, in sight. Snowflakes and snowmen and Christmas trees and red and green projections abound. Having an inflatable decoration is what counts as quirky in a place like this. Our cul-de-sac is almost a perfect loop of lights and Christmas cheer.

The terrible next-door neighbors, who rev bikes and cackle loudly and have friends with visible pistols in our driveway in the middle of the night but complain about the noise of chickens, are a perfect example. They have fake candles in every window in the front of their house. They’ve crammed decorations in every bit of the small patch of grass that comprises their front yard. They even have wicker-looking reindeer decorations carefully placed in their backyard, near their soldier-kneeling-near-a-cross statue, which you can see from the path that runs behind.

Here is what’s in the front yard of our house:

Two white reindeer, one with its head detached from its body and lying on the ground. Both were lying on the ground in general for most of December, but someone who lives in the house had an enterprising moment and righted them again. (The head was not reattached.)

Strings of lights that normally hang on the front of the house but are currently lying in a pile on the grass. They’re connected to a timer, so the clump dutifully lights up and turns off at the same time every night. What time is that? I have no idea. I’d have to look at the time or ask my brother-in-law, and who has the energy for that?

I’m not sure if the Thomas the Tank Engine inflatable is still there. It was unhooked from its cables the other day, when we had a decent windstorm, and I stuck it in the little bit of porch we have to give it at least a little shelter. But I had a cold that day, and I still have a cold, and I just can’t make myself care if Thomas and Sir Topham Hatt are still here and didn’t soar away on the Nevada gusts.

(I probably should have brought it inside the house. Oh well.)

A line of plastic candy canes stuck in the ground with stakes and illuminated from the inside by lights. This should be the straightforward decoration—it doesn’t take the setup that every other decoration takes, after all—but what was a neat border is now haphazard, tilted, knocked askew by either children or weather or both.

A holiday Schnauzer decoration, purchased to represent the actual Miniature Schnauzer residing in the house, lying on its back in the grass and dead leaves that we, of course, didn’t rake up.

Now, I should say that this is not every year for us. Our decorations are sparing or slightly askew on busier years, of which we’ve had plenty as of late, but if we put decorations outside, we usually have them up in a manner somewhat acceptable to the neighborhood. But I have never been happier with our nod to the holiday than I am this year. You see them, and you think, Well, it looks like they’re going through something.

Decorations don’t convey specifics. Our yard doesn’t say “Our eldest cat is recovering through a chain mastectomy she received to treat cancer, the youngest human in the house brought home head lice and swallowed a coin that earned him two hospital visits, Sara puked up blood twice and spent an entire week in the hospital while we waited for the doctors to take her internal bleeding seriously”, but you look at it, and you know something that reflects our reality. Our yard is a mess, a cry for help.

I smile every single time I see it.

But really, I’m not giving the other houses credit. I have no idea what their lives are like, and maybe that’s the point. Maybe they’re keeping their circumstances to themselves by fitting in. Maybe it’s a perfect expression of who they are as a family.

Maybe they want a little light and normality while things are completely and utterly terrible.

Our indoor decorations, by the way, are delightful. The fake tree is beautiful, there are strings of lights that keep the interior aglow even after the main lights are turned off for the night, and Sara’s eldest put ornaments on the drawer pulls (which, yes, are now scattering everywhere, but in that delightful child-chaos that the holiday season should be about). Don’t tell the kids, but I’m serving as their Elf on the Shelf, moving the toy around nightly in ways that I try to make more about fun and silliness and less about the surveillance state and holding children to an unrealistic standard of behavior. I even put a terrible joke on a board last night:

What do you call a annoying reindeer? Rude-olph.

(I had to put “a” annoying reindeer because I ran out of the letter n.)

We have our competent bits, is what I’m trying to say. And there’s nothing wrong with making those bits the parts the world sees. But there’s also nothing wrong with keeping those parts to yourself, and showing the world that not everything is curated and perfect. That the lack of light outside can exacerbate the mental illness that was already exacerbated by a traumatic autumn.

That, oddly, some of the brightest cheer can come from the biggest messes.

Happy holidays, from someone who doesn’t want to celebrate the holidays but somehow ends up doing so anyway.

Comment

Rory Hume

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Tweeting in the Time of Burning Screaming Apocalypse

2018-11-04 /

I don’t remember very much about my first appointment with my therapist, Colleen. It was primarily a screening, I think. She asked me all the standard questions: Do I have little interest or pleasure in doing things? Trouble concentrating? Thoughts of hurting myself?

At the time, I hadn’t yet been held on suicide watch at a mental hospital, so I was very trusting. Every question made me spew answers because I have so much to say about my experience as a person with depression. I monologued about my life for nigh unto the full hour.

After listening to the slurry of babble, Colleen asked only one question: “Where does your guilt come from?” she asked. “Who modeled it for you?”

Before that first appointment, I’d never thought of myself as having a guilty conscience. As soon as she said it, I saw it everywhere. The way that I blame myself for everything. The sense of being responsible for my entire environment and also most others’ environments. The way that someone else will bump me in a crowd, and I will still be the first to say, “Oh my gosh, I’m so sorry, I’m so clumsy.”

You could call it Catholic guilt, I guess. I come from a Catholic background. Self-flagellation is the name of the game in Catholicism, and we relentlessly practice self-martyring, which feels like a dreadfully responsible thing to do. If we don’t feel guilty about the ills of the world—about our sins—then we’re definitely going to Hell.

Like most Millennials, the first thing I do upon returning to consciousness after a night of sleep is grab my phone. As soon as Do Not Disturb comes off, the alerts come up.

It comes through Apple News—both WaPo and Time want me to know that America is detaining migrant children. Twitter makes sure that I know it too, not just because it’s in my friends’ list, but because they now alert me to big news stories as they pass. It’s on Facebook, from my local newspaper; it’s on NPR when I ask Alexa to read me the news.

Even though the world has only just learned about it, there are lengthy think-pieces on the matter. I take the time to read The Atlantic’s hot takes. I like The Atlantic. It’s regarded as being moderate by more liberal critics, and offensively liberal by conservative critics, which means that it’s about as balanced as you’ll get in the country.

The Atlantic has excellent writers on staff, so reading about the way that children are detained is vivid and visceral. I’m beside myself. I can’t go to sleep that night.

A few weeks before we learned about the detained migrant children, I had been in the mental hospital. “I think I’m only so messed up about this because I’m relating to it too much,” I tell my husband. “I’m only sympathizing because I feel like I’ve been in a similar place.” Left loudly unspoken is my self-evaluation that I’m human slime for being able to empathize with these children, who remind me of my own children, only because I have mentally centered myself in the situation.

If I were a better person, I’d feel guilty for everything America does wrong, not just this one particularly horrifying thing.

On Twitter, one of the brilliant women of color I follow has tweeted a lengthy thread about white supremacy. She explains how many migrant children, abducted from their families, are entering the American adoption system. People are profiting off of this separation. It’s really insightful.

I’m horrified. I want to contribute to the conversation. I draft a reply.

Then I think about what I’m writing.

Nothing that I type seems to have the proper emotional gravity, despite my initial tweet beginning with the words “yeah, ugh” and a frowning emoji. I launch into an explanation of my experiences as relevant to the topic (like a time I saw something bad happening to someone else) and how the world Just Shouldn’t Be Like That.

But the world is Like That, and my role in this world is different from hers. Her perspective is more relevant than mine—she is from a migrant family, she has a law background—and I don’t need to derail the conversation by calling attention to my irrelevant perspective. Especially not right now.

In fact, I don’t need to reply at all.

And I don’t that time, even though I often have in the past, blindly stumbling through conversations with my good intentions swinging wild right hooks every which way.

Instead, I retweet. I decenter myself. I hope that the conversation, led by the original poster, will be more fruitful without me in it. And I quietly hate myself for not being one of the victims, but one of the people who has contributed to making the world worse for them.

Decentering whiteness is a key aspect of social justice in this era. America’s built on white supremacist bones wrapped in the snuggly-wuggly flesh of something that doesn’t look like white supremacy, but has been grown on the scaffolding of it. White people can’t begin to unpack and attack our complicity until we admit that it’s there. It’s on the surface level, it’s at the core, it’s everything.

Of course, if a white person chooses not to unpack this, there’s nothing that will force it to happen. Other white people aren’t going to make you do it. White people really like being in a happy white bubble. It’s awkward to point out how your son’s public school is reinforcing white supremacy, and we can’t have this awkwardness, that feeling of guilt forced upon us exogenously by white people breaking the patterns of white conversation that happily skirt around the rotten heart of white America. This is not civilization.

Decentering ourselves is difficult. It’s an inherently selfless thing, and white people don’t really know how to be selfless.

We’ve been raised on a narrative of white America fixing the world’s problems. We are fluent in it.

In elementary school, we hear about how white colonists arrived in the Americas, made friends with the natives, and then something-something-something happens and all of a sudden, after Thanksgiving and something involving redcoats, we’ve made a country. A free country filled with religious liberty and native princess Halloween costumes and little narrow strips of land where surviving natives are graciously permitted to live, for now.

When South American loggers perform deforestation in the rainforest, Captain Planet (surely a white guy under his metallic skin, given his mullet and high levels of intervention) rolls in with his team of carefully diverse children to fix that shit, because that’s what we do.

Even in science fiction, cultures that are essentially Space Americans (like the United Federation of Planets, But Mostly Earth, Because Fuck Those Other Guys) rove the galaxy to seek justice and make worlds better. The Prime Directive is meant to prevent some level of interference, but it doesn’t really stop our heroic crew from intervening in what they decide are injustices, infecting planets galaxy-wide with Space American Values.

Our culture is built around colonization. Our brains have grown in that vat.

So when white Americans arrive in social justice spaces, we’re ready to fix it all, just the way that we’ve always “fixed” things. We want to colonize the movements started by the marginalized. We want to make it all better.

That’s what we do.

The fact that we think we have to use our power For the Better is part of the rot in America.

In fact, we must cede power.

We have to choose not to be the loudest voice in the room. We have to make ourselves less.

When we’ve spent your entire life privileged, deliberately trying to push even the most unearned privilege away is really goddamn uncomfortable.

No matter how uncomfortable it feels to realize I’ve spent my entire life benefiting from and feeding into a system that dehumanizes, exploits, and often actively kills people who don’t fit into a narrow privileged class, it’s less uncomfortable than being a small child taken from one’s parents and sold to an American family.

For nights on end, I dream of peeling paint surrounding doorways blocked only by shower curtains on pins so weak that they won’t stay up for the duration of a shower, much less allow me to hang myself. I’m bored without pens, computers, shoelaces. I pace the lightless hallway on non-skid socks and note that the building is sinking. The end dormitories are several inches lower than the fore.

I wake with panic attacks. There are children being kept in inhospitable, sometimes clinical environments. They miss their parents. They don’t know when they’ll get to see them again. I didn’t get to see my children for almost a week and spent so many hours weeping that I was a husk by the time I went home.

Something needs to happen with those children.

Naturally, because I pick up my phone as soon as I awaken, I’ve seen alerts for conversations about this on Twitter. I should tweet about it too. I make repeated attempts to distill the existential scream inside my soul to 280 characters. I delete about a dozen drafts.

Then I retweet a lawyer offering a site that will donate to twelve migrant-supporting organizations at once, and then I also donate my own money.

I try to draft a tweet about my donation.

It sounds self-aggrandizing. I delete it.

I’ve opened my wallet to help these children, but it doesn’t really feel like help. If I were a better person, I would be on the border finding a way to get involved. I wouldn’t be sitting on my phone in the predawn morning trying to draft tweets and hating myself for always say the wrong thing.

At some point I’ll have to say something, won’t I? The world is burning down.

My Twitter feed can’t always be retweets, and it can’t always be politics. At some point I stop looking at my feed. I turn off all alerts for Twitter, The Atlantic, The New York Times, and Apple News so that I can pick my phone up without remembering how much horror there is in the world.

I think about what I’ve done today. I give myself permission to tweet about something that I know perfectly well.

“Wow that was a poop for the history books,” I finally tweet.

It’s true, I had a pretty great poop. It’s firmly in my wheelhouse. It’s my lived experience. I have absolute authority to talk about it, although the tastefulness is somewhat more controversial.

I feel guilty for tweeting levity instead of the existential screaming in my soul. If I were better, I would climb onto a crucifix on behalf of those children. I’d give them all my money instead of small recurring monthly donations. I’d really do something.

My stupid tweet gets five likes. Two of my friends talk with me. They’ve also had wonderful, historic poops this week, and I’m happy for them. I can be happy while creeping along constant low-level guilt. It’s not like our willingness to discuss poops means we’re blind to the horrors of the world. But I feel like my ability to even enjoy these moments of levity is a sign of enormous privilege—one more way that the system benefits me while grinding others into dust. Guilt and puerile joy have become bedfellows.

“If it’s outside your control, there’s no reason to feel guilty,” Therapist Colleen told me once, to paraphrase. “Once you’ve done your best and taken care of the things in your immediate control, you have my permission to be proud of yourself.”

She acknowledged that this was nigh impossible with anxiety, and I haven’t stopped hating myself for failing to be a great martyr.

I will vote in a couple of months, and I’ve written several screaming letters to my legislators—less exciting than crucifixion, but slightly more sustainable. I’m not the center of the universe. I can’t fix everything singlehandedly. The world isn’t about me. Sometimes it’s better to get out of the way. Sometimes it’s better to retreat onto a website of one’s making, outside of the public discussion space, and write ironic, navel-gazing think-pieces defying the thesis of the think-piece in the first place.

Just as there’s no ethical consumption in capitalism, there’s also no way for a white person to operate in America without benefiting from white privilege. There’s a lot to feel guilty about. There’s a lot to work on. The end game is still beyond the horizon, and the sun won’t rise there until long after I’m gone.

Comment

Sara Reine

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