• 2018 Newsletter,  music reviews,  reviews

    Matt Bellamy and Sarah Brightman Should Be BFFs

    A Review of Two New Albums

    I have no idea if these two individuals know each other in reality. I suppose I could Google it. For all I know, Matt Bellamy and Sarah Brightman are already dear friends, and a search would yield entire coffee table books of the two dancing through the bluebells with linked pinkies.

    I’m sure if they met, they’d be best friends. The kind of love that they write epics about.

    They have so much in common.

    Sarah Brightman’s Hymn is the latest in her one-word album titles opening with a dreamy instrumental building energy into a crescendo of upbeat pop-like music (in the way that only Sarah Brightman does pop-like music). She dips into crooning melodies and soars into belting arias and leaves you with a track so upbeat your dentures might pop out when you ask Iris to start the record over.

    Are we ever tired of listening to Sarah Brightman’s operatic blasts? She remains, decades after playing the ingenue in her then-husband’s Phantom of the Opera, a voice to be reckoned with. She hasn’t lost an ounce of her power. She also hasn’t gained an ounce of power—or ambition, for that matter. To be fair, it’s hard when you start out in pop music with an anachronistic hit as divine as I Lost my Heart to a Starship Trooper, and songs like Fly to Paradise just don’t stand a chance. They lack the gusto.

    I don’t think Sarah’s recurring vision is without self-awareness. Hymn ends with yet another iteration of Time to Say Goodbye—distinguished from previous outings of this (fantastic, amazing, flaw-free) song only by the fact that it’s entirely in English this time. She knows what people want from her, and she’s happy to deliver it again. And again. And again.

    Matt Bellamy, with Muse, is much the same on a shorter time scale. He has remade the same album for the last four albums, proving that you really shouldn’t fix what isn’t broken. The Resistance was prescient for 2009; it remained timely when his electronic beats, melodrama, and anti-establishment brand of orchestral pop-rock turned into 2012’s marvelous The Second Law. It felt a little tired by the time that his one and only style of modern album was reincarnated in 2015’s Drones, but it’s fresh again in Simulation Theory. Still, the only real addition is jumping feet-first into synthwave—half the songs would sound wholly appropriate on the soundtrack for next season of Stranger Things—whereas the remainder of the auditory elements are shamelessly rehashed. Listen to Madness (off The Second Law) and then Propaganda (off the new album). They strike different emotional notes, but it’s impossible to ignore the similarities, even when you’re rocking the eff out to the splendiferous drama of Propaganda.

    Like I said, if it’s not broken, you don’t have to fix it. These two musical artists know what they’re offering. You can see it as good branding. You can see it as overproduction. You can see it as loyalty to style. However you like to view it, I bet Matt and Sarah would have a great time talking about their reincarnated-into-infinity artistic style over drinks, and I really hope it happens someday. What I’d give to be the fifth generation of a near-identical fly on the wall for that conversation.

  • 2018 Newsletter,  arguably humorous,  resembles nonfiction,  slice of life

    Merry Christmas, Decorations

    The neighborhood in which Sara and I reside takes decorating for Christmas very seriously. And it is Christmas; there is nary a menorah, or any other hint of another culture or tradition, in sight. Snowflakes and snowmen and Christmas trees and red and green projections abound. Having an inflatable decoration is what counts as quirky in a place like this. Our cul-de-sac is almost a perfect loop of lights and Christmas cheer.

    The terrible next-door neighbors, who rev bikes and cackle loudly and have friends with visible pistols in our driveway in the middle of the night but complain about the noise of chickens, are a perfect example. They have fake candles in every window in the front of their house. They’ve crammed decorations in every bit of the small patch of grass that comprises their front yard. They even have wicker-looking reindeer decorations carefully placed in their backyard, near their soldier-kneeling-near-a-cross statue, which you can see from the path that runs behind.

    Here is what’s in the front yard of our house:

    Two white reindeer, one with its head detached from its body and lying on the ground. Both were lying on the ground in general for most of December, but someone who lives in the house had an enterprising moment and righted them again. (The head was not reattached.)

    Strings of lights that normally hang on the front of the house but are currently lying in a pile on the grass. They’re connected to a timer, so the clump dutifully lights up and turns off at the same time every night. What time is that? I have no idea. I’d have to look at the time or ask my brother-in-law, and who has the energy for that?

    I’m not sure if the Thomas the Tank Engine inflatable is still there. It was unhooked from its cables the other day, when we had a decent windstorm, and I stuck it in the little bit of porch we have to give it at least a little shelter. But I had a cold that day, and I still have a cold, and I just can’t make myself care if Thomas and Sir Topham Hatt are still here and didn’t soar away on the Nevada gusts.

    (I probably should have brought it inside the house. Oh well.)

    A line of plastic candy canes stuck in the ground with stakes and illuminated from the inside by lights. This should be the straightforward decoration—it doesn’t take the setup that every other decoration takes, after all—but what was a neat border is now haphazard, tilted, knocked askew by either children or weather or both.

    A holiday Schnauzer decoration, purchased to represent the actual Miniature Schnauzer residing in the house, lying on its back in the grass and dead leaves that we, of course, didn’t rake up.

    Now, I should say that this is not every year for us. Our decorations are sparing or slightly askew on busier years, of which we’ve had plenty as of late, but if we put decorations outside, we usually have them up in a manner somewhat acceptable to the neighborhood. But I have never been happier with our nod to the holiday than I am this year. You see them, and you think, Well, it looks like they’re going through something.

    Decorations don’t convey specifics. Our yard doesn’t say “Our eldest cat is recovering through a chain mastectomy she received to treat cancer, the youngest human in the house brought home head lice and swallowed a coin that earned him two hospital visits, Sara puked up blood twice and spent an entire week in the hospital while we waited for the doctors to take her internal bleeding seriously”, but you look at it, and you know something that reflects our reality. Our yard is a mess, a cry for help.

    I smile every single time I see it.

    But really, I’m not giving the other houses credit. I have no idea what their lives are like, and maybe that’s the point. Maybe they’re keeping their circumstances to themselves by fitting in. Maybe it’s a perfect expression of who they are as a family.

    Maybe they want a little light and normality while things are completely and utterly terrible.

    Our indoor decorations, by the way, are delightful. The fake tree is beautiful, there are strings of lights that keep the interior aglow even after the main lights are turned off for the night, and Sara’s eldest put ornaments on the drawer pulls (which, yes, are now scattering everywhere, but in that delightful child-chaos that the holiday season should be about). Don’t tell the kids, but I’m serving as their Elf on the Shelf, moving the toy around nightly in ways that I try to make more about fun and silliness and less about the surveillance state and holding children to an unrealistic standard of behavior. I even put a terrible joke on a board last night:

    What do you call a annoying reindeer? Rude-olph.

    (I had to put “a” annoying reindeer because I ran out of the letter n.)

    We have our competent bits, is what I’m trying to say. And there’s nothing wrong with making those bits the parts the world sees. But there’s also nothing wrong with keeping those parts to yourself, and showing the world that not everything is curated and perfect. That the lack of light outside can exacerbate the mental illness that was already exacerbated by a traumatic autumn.

    That, oddly, some of the brightest cheer can come from the biggest messes.

    Happy holidays, from someone who doesn’t want to celebrate the holidays but somehow ends up doing so anyway.

  • 2018 Newsletter,  arguably humorous,  politics

    Things I didn’t tweet around Election Day 2018

    November 4th, 2018

    Hey, I actually deleted Tweetbot off my phone! I’ve never done that before!

    oh god I actually deleted Tweetbot off my phone what am I going to mindlessly click now

    menstrual cw // I’m spotting between periods! I’ve only ever done this once before: October 2016. I wonder what the pattern is?

    …Oh. Ohhhhhh.

    What do people who don’t use Twitter do with their days? Sleep more? (Actually, it is bedtime. Heh.)


    November 5th, 2018

    I’m drunk with power. I just deleted a bunch of the apps I don’t use off my phone. If I can take my connection to Twitter away from myself, what can’t I do? FEAR ME, APP DEVELOPERS

    If it wasn’t for Instagram, I probably would have reinstalled Tweetbot already. Come to me, beautiful bullet journal creators and bookstagrams.

    vomit cw // Nibling is home sick today. It’s not terrible timing, as such things go; he has tomorrow off because his school is a polling location, so two days off for the price of one. Hope this doesn’t mean I’ll be barfing in the next couple days.

    I’m going back to sleep.

    Oh crap, I slept until 2 pm. And I still feel like death.

    Walked Ichabod the miniature Schnauzer. He was kind enough to poop on our walk, and as I bent to pick it up, a van driving by honked at me. Nothing like a good bit of street harassment to round out your day.

    Bee Swarm Simulator, you’re my only friend.

    I take that back. Crackers are also my friend.

    And cheeseburgers.

    Posted my first Egregious essay. Maybe I should have waited to do that until I wasn’t taking a Twitter sabbatical?

    I want to write three-thousand words today for #nano. This does not count the five-hundred words written this morning when I was barely awake. It’s almost six pm. No way this could go badly.

    Sunset was way too early. As much as I’d like to believe I’m a vampire, I’m not.

    Still haven’t started the 3k words for #nano.

    Okay okay I snuck onto Twitter and I vaguely regret it I’m sorry I know better

    Got the 3k done, and now I’m just…done for the day. What on earth am I supposed to do with all this free time, besides fret?


    November 6th, 2018

    Woke up from a dream where I was on Beto O’Rourke’s campaign bus and I was asking to go home. Must be Election Day.

    Went back to sleep and woke up from a dream where I had a really great girlfriend. Can I go to that reality?

    Today is a great day to rewatch To All The Boys I’ve Loved Before.

    .@smreine is playing Christmas songs on the Echo again. YES AFRICA KNOWS IT’S CHRISTMAS, MAYBE IF WHITE COLONIALISM HADN’T STOLEN EVERYTHING THEY WOULD HAVE FOOD

    Nibling is home! He wore a charming plaid shirt today and went to work with Bro-in-Law. He showed me the pen that he put in his shirt pocket. CHARMING.

    How is today the first day this season I’ve heard All I Want For Christmas is You?

    It feels like someone is stabbing me in the eye. In other news, I have a sinus headache.

    I put off my #nano writing until later, when election returns are coming in. The theory is that I’ll get into my NaNo and not constantly refresh the news.

    7:30 pm, and guess who’s written just a couple hundred #nano words. (At least I’m not refreshing the news.)

    It’s a little on the nose to develop a cough while watching Moulin Rouge.

    Finally wrote, and it’s time for bed. It’s excruciating not checking the news, but I’ll feel better if I don’t until most things are solid.

    I’m in bed, on my phone. I can’t stop playing app games, not because they’re app games, but because they’re what I have access to instead of Tweetbot.

    This is why I deleted Tweetbot.


    November 7th, 2018

    Moment of truth. I’m pulling up the local newspaper’s results page. Breathe.

    Wait. Really? This is…good news?

    Before I say this next bit, I want to be clear. I did very little this election. I made sure to vote, I filled out some “I’m voting because” postcards for the ACLU, and then I went into hardcore bunker mode for my mental health.

    Pretty much anyone who spent even an hour organizing or canvassing did more work than I did.

    Having said that.

    I TOLD YOU SO, @deanheller. I TOLD YOU I WOULD LOOK FORWARD TO SEEING YOUR LOSS THIS YEAR. YOU STABBED US IN THE BACK AND I GOT MY RETRIBUTION.

    I HOPE YOU FEEL EVEN A FRACTION OF THE LOSS AND PAIN I FELT IN 2017, WHEN I WAS CALLING YOU CONSTANTLY ABOUT THE AFFORDABLE CARE ACT. I HOPE YOU *KNOW*.

    Gosh, I’m looking forward to deleting my Google Alerts about him on New Year’s.

    Back to Tweetbot.

  • 2018 Newsletter,  existential screaming,  politics

    Tweeting in the Time of Burning Screaming Apocalypse

    I don’t remember very much about my first appointment with my therapist, Colleen. It was primarily a screening, I think. She asked me all the standard questions: Do I have little interest or pleasure in doing things? Trouble concentrating? Thoughts of hurting myself?

    At the time, I hadn’t yet been held on suicide watch at a mental hospital, so I was very trusting. Every question made me spew answers because I have so much to say about my experience as a person with depression. I monologued about my life for nigh unto the full hour.

    After listening to the slurry of babble, Colleen asked only one question: “Where does your guilt come from?” she asked. “Who modeled it for you?”

    Before that first appointment, I’d never thought of myself as having a guilty conscience. As soon as she said it, I saw it everywhere. The way that I blame myself for everything. The sense of being responsible for my entire environment and also most others’ environments. The way that someone else will bump me in a crowd, and I will still be the first to say, “Oh my gosh, I’m so sorry, I’m so clumsy.”

    You could call it Catholic guilt, I guess. I come from a Catholic background. Self-flagellation is the name of the game in Catholicism, and we relentlessly practice self-martyring, which feels like a dreadfully responsible thing to do. If we don’t feel guilty about the ills of the world—about our sins—then we’re definitely going to Hell.


    Like most Millennials, the first thing I do upon returning to consciousness after a night of sleep is grab my phone. As soon as Do Not Disturb comes off, the alerts come up.

    It comes through Apple News—both WaPo and Time want me to know that America is detaining migrant children. Twitter makes sure that I know it too, not just because it’s in my friends’ list, but because they now alert me to big news stories as they pass. It’s on Facebook, from my local newspaper; it’s on NPR when I ask Alexa to read me the news.

    Even though the world has only just learned about it, there are lengthy think-pieces on the matter. I take the time to read The Atlantic’s hot takes. I like The Atlantic. It’s regarded as being moderate by more liberal critics, and offensively liberal by conservative critics, which means that it’s about as balanced as you’ll get in the country.

    The Atlantic has excellent writers on staff, so reading about the way that children are detained is vivid and visceral. I’m beside myself. I can’t go to sleep that night.

    A few weeks before we learned about the detained migrant children, I had been in the mental hospital. “I think I’m only so messed up about this because I’m relating to it too much,” I tell my husband. “I’m only sympathizing because I feel like I’ve been in a similar place.” Left loudly unspoken is my self-evaluation that I’m human slime for being able to empathize with these children, who remind me of my own children, only because I have mentally centered myself in the situation.

    If I were a better person, I’d feel guilty for everything America does wrong, not just this one particularly horrifying thing.


    On Twitter, one of the brilliant women of color I follow has tweeted a lengthy thread about white supremacy. She explains how many migrant children, abducted from their families, are entering the American adoption system. People are profiting off of this separation. It’s really insightful.

    I’m horrified. I want to contribute to the conversation. I draft a reply.

    Then I think about what I’m writing.

    Nothing that I type seems to have the proper emotional gravity, despite my initial tweet beginning with the words “yeah, ugh” and a frowning emoji. I launch into an explanation of my experiences as relevant to the topic (like a time I saw something bad happening to someone else) and how the world Just Shouldn’t Be Like That.

    But the world is Like That, and my role in this world is different from hers. Her perspective is more relevant than mine—she is from a migrant family, she has a law background—and I don’t need to derail the conversation by calling attention to my irrelevant perspective. Especially not right now.

    In fact, I don’t need to reply at all.

    And I don’t that time, even though I often have in the past, blindly stumbling through conversations with my good intentions swinging wild right hooks every which way.

    Instead, I retweet. I decenter myself. I hope that the conversation, led by the original poster, will be more fruitful without me in it. And I quietly hate myself for not being one of the victims, but one of the people who has contributed to making the world worse for them.


    Decentering whiteness is a key aspect of social justice in this era. America’s built on white supremacist bones wrapped in the snuggly-wuggly flesh of something that doesn’t look like white supremacy, but has been grown on the scaffolding of it. White people can’t begin to unpack and attack our complicity until we admit that it’s there. It’s on the surface level, it’s at the core, it’s everything.

    Of course, if a white person chooses not to unpack this, there’s nothing that will force it to happen. Other white people aren’t going to make you do it. White people really like being in a happy white bubble. It’s awkward to point out how your son’s public school is reinforcing white supremacy, and we can’t have this awkwardness, that feeling of guilt forced upon us exogenously by white people breaking the patterns of white conversation that happily skirt around the rotten heart of white America. This is not civilization.

    Decentering ourselves is difficult. It’s an inherently selfless thing, and white people don’t really know how to be selfless.

    We’ve been raised on a narrative of white America fixing the world’s problems. We are fluent in it.

    In elementary school, we hear about how white colonists arrived in the Americas, made friends with the natives, and then something-something-something happens and all of a sudden, after Thanksgiving and something involving redcoats, we’ve made a country. A free country filled with religious liberty and native princess Halloween costumes and little narrow strips of land where surviving natives are graciously permitted to live, for now.

    When South American loggers perform deforestation in the rainforest, Captain Planet (surely a white guy under his metallic skin, given his mullet and high levels of intervention) rolls in with his team of carefully diverse children to fix that shit, because that’s what we do.

    Even in science fiction, cultures that are essentially Space Americans (like the United Federation of Planets, But Mostly Earth, Because Fuck Those Other Guys) rove the galaxy to seek justice and make worlds better. The Prime Directive is meant to prevent some level of interference, but it doesn’t really stop our heroic crew from intervening in what they decide are injustices, infecting planets galaxy-wide with Space American Values.

    Our culture is built around colonization. Our brains have grown in that vat.

    So when white Americans arrive in social justice spaces, we’re ready to fix it all, just the way that we’ve always “fixed” things. We want to colonize the movements started by the marginalized. We want to make it all better.

    That’s what we do.

    The fact that we think we have to use our power For the Better is part of the rot in America.

    In fact, we must cede power.

    We have to choose not to be the loudest voice in the room. We have to make ourselves less.

    When we’ve spent your entire life privileged, deliberately trying to push even the most unearned privilege away is really goddamn uncomfortable.

    No matter how uncomfortable it feels to realize I’ve spent my entire life benefiting from and feeding into a system that dehumanizes, exploits, and often actively kills people who don’t fit into a narrow privileged class, it’s less uncomfortable than being a small child taken from one’s parents and sold to an American family.


    For nights on end, I dream of peeling paint surrounding doorways blocked only by shower curtains on pins so weak that they won’t stay up for the duration of a shower, much less allow me to hang myself. I’m bored without pens, computers, shoelaces. I pace the lightless hallway on non-skid socks and note that the building is sinking. The end dormitories are several inches lower than the fore.

    I wake with panic attacks. There are children being kept in inhospitable, sometimes clinical environments. They miss their parents. They don’t know when they’ll get to see them again. I didn’t get to see my children for almost a week and spent so many hours weeping that I was a husk by the time I went home.

    Something needs to happen with those children.

    Naturally, because I pick up my phone as soon as I awaken, I’ve seen alerts for conversations about this on Twitter. I should tweet about it too. I make repeated attempts to distill the existential scream inside my soul to 280 characters. I delete about a dozen drafts.

    Then I retweet a lawyer offering a site that will donate to twelve migrant-supporting organizations at once, and then I also donate my own money.

    I try to draft a tweet about my donation.

    It sounds self-aggrandizing. I delete it.

    I’ve opened my wallet to help these children, but it doesn’t really feel like help. If I were a better person, I would be on the border finding a way to get involved. I wouldn’t be sitting on my phone in the predawn morning trying to draft tweets and hating myself for always say the wrong thing.

    At some point I’ll have to say something, won’t I? The world is burning down.


    My Twitter feed can’t always be retweets, and it can’t always be politics. At some point I stop looking at my feed. I turn off all alerts for Twitter, The Atlantic, The New York Times, and Apple News so that I can pick my phone up without remembering how much horror there is in the world.

    I think about what I’ve done today. I give myself permission to tweet about something that I know perfectly well.

    “Wow that was a poop for the history books,” I finally tweet.

    It’s true, I had a pretty great poop. It’s firmly in my wheelhouse. It’s my lived experience. I have absolute authority to talk about it, although the tastefulness is somewhat more controversial.

    I feel guilty for tweeting levity instead of the existential screaming in my soul. If I were better, I would climb onto a crucifix on behalf of those children. I’d give them all my money instead of small recurring monthly donations. I’d really do something.


    My stupid tweet gets five likes. Two of my friends talk with me. They’ve also had wonderful, historic poops this week, and I’m happy for them. I can be happy while creeping along constant low-level guilt. It’s not like our willingness to discuss poops means we’re blind to the horrors of the world. But I feel like my ability to even enjoy these moments of levity is a sign of enormous privilege—one more way that the system benefits me while grinding others into dust. Guilt and puerile joy have become bedfellows.

    “If it’s outside your control, there’s no reason to feel guilty,” Therapist Colleen told me once, to paraphrase. “Once you’ve done your best and taken care of the things in your immediate control, you have my permission to be proud of yourself.”

    She acknowledged that this was nigh impossible with anxiety, and I haven’t stopped hating myself for failing to be a great martyr.

    I will vote in a couple of months, and I’ve written several screaming letters to my legislators—less exciting than crucifixion, but slightly more sustainable. I’m not the center of the universe. I can’t fix everything singlehandedly. The world isn’t about me. Sometimes it’s better to get out of the way. Sometimes it’s better to retreat onto a website of one’s making, outside of the public discussion space, and write ironic, navel-gazing think-pieces defying the thesis of the think-piece in the first place.

    Just as there’s no ethical consumption in capitalism, there’s also no way for a white person to operate in America without benefiting from white privilege. There’s a lot to feel guilty about. There’s a lot to work on. The end game is still beyond the horizon, and the sun won’t rise there until long after I’m gone.